rbarata Posted January 7, 2020 Share Posted January 7, 2020 ...and I end up doing something I don't really don't know. If any of you can analyse it and give me some feedback, I'd appreciate. Thank you MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Ffree_counterpoint VI > next Quote Link to comment Share on other sites More sharing options...
Monarcheon Posted January 7, 2020 Share Posted January 7, 2020 10ths at the end not 6ths. m. 7's linear escape tone sounds a little awkward. mm. 11-12's transfer of the F from bass to soprano is... technically fine, but sounds a little weird. Quote Link to comment Share on other sites More sharing options...
rbarata Posted January 8, 2020 Author Share Posted January 8, 2020 Quote 10ths at the end not 6ths. My mistake. Thanks for point that out. Quote m. 7's linear escape tone sounds a little awkward. Not familiar with the term escape tone but I think you're talking about the F in the upper voice. Am I right? Quote mm. 11-12's transfer of the F from bass to soprano is... technically fine, but sounds a little weird. Well, I had the fixed melody. I could use another note in the bass, an A for ex (a 6th, for A to F, but them I would have a large leap. I could also think about creating a 5th that that would result in a tritone (B to F). This one seemed the best choice on the moment. Quote Link to comment Share on other sites More sharing options...
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