Is this notated correctly?

I wrote this hymn and tried writing music for it. I have trouble with notating rhythms, how did I do?

P.S - The music is in G, but the recording is in F, I just felt more comfortable with this song in that key

Hi, I've DMed you about this. And I've also edited it so that it's more singable.

Can you send a recording with harmony? I think I got the accompaniment texture you have in mine, but would it would be better to hear it from you. Nice melody anyway 😉

Edited June 4, 20214 yr by Guillem82

I don't have a recording with harmony. Can you post the accompiant?

On 6/1/2021 at 7:07 AM, DoYourDailyDuo said:

Hi, I've DMed you about this. And I've also edited it so that it's more singable.

 

 

 

And I was wrong about it being in 4/4, it is actually in 3/4. Thanks for pointing this out

Correct rhythms 

Edited June 4, 20214 yr by GospelPiano12

Hi, I wrote a simple chord accompaniment for that with slightly changes on the harmony (basically the half cadence in the middle and the Perfect authentic cadence at the end feel more convincing now in my opinion). I also added some rests at the end of the phrases and half-phrases, because you need the singer to breath and to articulate musical ideas more naturaly. My accompaniment is more focused on harmony than rythm, of course you can feel it in with match more complex patterns, but for my just simple chords work nicely here. I recorded also the accompaniment alone, in case you want to sing on it without the Alto VST, which isn't the best 😉. 

You could also repeat the 16measures.

Edited June 6, 20214 yr by Guillem82

Would you guys mind listening to these hymns and helping me with chords? I've attached recordings and current chords

Correct chords

On 6/6/2021 at 3:57 AM, Guillem82 said:

Hi, I wrote a simple chord accompaniment for that with slightly changes on the harmony (basically the half cadence in the middle and the Perfect authentic cadence at the end feel more convincing now in my opinion). I also added some rests at the end of the phrases and half-phrases, because you need the singer to breath and to articulate musical ideas more naturaly. My accompaniment is more focused on harmony than rythm, of course you can feel it in with match more complex patterns, but for my just simple chords work nicely here. I recorded also the accompaniment alone, in case you want to sing on it without the Alto VST, which isn't the best 😉. 

You could also repeat the 16measures.

 

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@Guillem82 it's been a minute, but here is my updated 4-part SATB arrangment.