SergeOfArniVillage Posted November 13, 2021 Share Posted November 13, 2021 (edited) I haven’t posted anything to a music forum in a long time, but I figured I’d share something I recently wrote. I’m a pianist, but I’ve been listening to a lot of guitar players lately. I decided it’d be interesting to turn the piano into a fake stringed instrument (in this case, a “mandolin”), supported by a fake orchestra. https://app.box.com/s/9o21auov75u3eq08eb10g73pg4qy8xxm Thoughts/comments/criticisms always appreciated! P.S. I am aware of the very cruelly-spelled C/Bb at 2:53-ish, but I thought it was funny, and I lacked motivation to change it, so I left it that way 🤣 EDIT: someone said the mp4 link above was giving them trouble, so here’s a YT link as well. Edited November 18, 2021 by SergeOfArniVillage Added YT link 1 Quote Link to comment Share on other sites More sharing options...
SergeOfArniVillage Posted November 18, 2021 Author Share Posted November 18, 2021 Bump due to edit. Quote Link to comment Share on other sites More sharing options...
Albayrak Posted November 18, 2021 Share Posted November 18, 2021 Nice piece. The tremolo is a nice way to imitate the sound of a mandolin. It has a slightly neo-baroque feel. if the mandolin part can be played it would make a nice arrangement for small baroque orchestra 1 Quote Link to comment Share on other sites More sharing options...
murphybridget Posted January 4 Share Posted January 4 As an amateur mandolin player myself, I'm always intrigued by unique approaches to instrumentation. Turning the piano into a "mandolin" supported by a fake orchestra sounds like a creative and imaginative project. 1 Quote Link to comment Share on other sites More sharing options...
Aw Ke Shen Posted January 20 Share Posted January 20 Nice piece - kinda sounds like an interesting mix of Sibelius' thick, powerful chords and Debussy's jumpy, playful rhythms and melodies. 1 Quote Link to comment Share on other sites More sharing options...
SergeOfArniVillage Posted January 20 Author Share Posted January 20 @Albayrak thank you! I also think it'd be interesting to hear what a literal orchestral representation of this would sound like. I looked at this through the lens of "something orchestrated being reduced", except in this case, the reduction comes first, so it'd be funny to hear it *actually* orchestrated! I have no clue what that would actually sound like. @murphybridget thank you! I actually had a lot of fun writing this piece. It's a completely different approach from what I normally do. @Aw Ke Shen that's a flattering comparison, I happen to really like both of those composers. They both had a unique way of expressing themselves. Quote Link to comment Share on other sites More sharing options...
murphybridget Posted January 22 Share Posted January 22 On 1/21/2024 at 4:32 AM, SergeOfArniVillage said: @Albayrak thank you! I also think it'd be interesting to hear what a literal orchestral representation of this would sound like. I looked at this through the lens of "something orchestrated being reduced", except in this case, the reduction comes first, so it'd be funny to hear it *actually* orchestrated! I have no clue what that would actually sound like. @murphybridget thank you! I actually had a lot of fun writing this piece. It's a completely different approach from what I normally do. @Aw Ke Shen that's a flattering comparison, I happen to really like both of those composers. They both had a unique way of expressing themselves. You're most welcome, I truly enjoyed listening to your work. Quote Link to comment Share on other sites More sharing options...
Quinn St. Mark Posted January 23 Share Posted January 23 G'day @SergeOfArniVillage, Wow, this is pretty cool! How would you say you practically approach imitating other instruments? Quote Link to comment Share on other sites More sharing options...
murphybridget Posted January 24 Share Posted January 24 22 hours ago, Quinn St. Mark said: G'day @SergeOfArniVillage, Wow, this is pretty cool! How would you say you practically approach imitating other instruments? He made the impossible possible. Quote Link to comment Share on other sites More sharing options...
Aiwendil Posted January 27 Share Posted January 27 This is an interesting piece. I like the imitation of the mandolin. I think my favorite section is that begining around 0:40 (and the later repetition of the same idea) with the imitation of flute and harp. On the other hand, if I were to level a criticism at the piece, it would be that the section beginning around 1:33 (with the "horn" part in block chords under the "mandolin") feels a little static. With real horns, I don't think this would be the case, as they could keep the interest up with small crescendi across the whole notes, but with just piano that texture gets perhaps just a little bit boring after several measures. That's a minor complaint, though. Overall, I liked it a lot! Quote Link to comment Share on other sites More sharing options...
murphybridget Posted January 29 Share Posted January 29 I take your point about the section starting around 1:33 and the potential static feeling, especially considering the limitations of using piano for the "horn" part. Quote Link to comment Share on other sites More sharing options...
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