bagatelle 50 and fugue 8

Hi! These scores were composed after being not near a computer.

Enjoy!

Edited June 15, 20232 yr by HtWinsor

Hey @HtWinsor,

For the bagatelle 50 you indeed start to develop your material. I like the opening . The tritone F-B in b.11 will better be avoided though if there is no resolve to it. For b.24 maybe it will be better to have a quaver accompaniment in LH. 

For the fugue 8, the parallel fifth issue as discussed should be addressed since this is suppose to be in strict style. The b.15-28 is just a written out repetition of the first 14 bars. The work is too short to be called a fugue though with only the exposition part of it.

Henry

I like your work in A minor!

Most composers gravitate to one particular minor key. Henry Kiu likes C# minor I think! I like D minor. 

The fugue is cool but without counterpoint skills it'll just be a stab in the dark, Henry. Take a look at the basic counterpoint rules and maybe have a little fugetta in one of your bagatelles if you want to explore that type of immitation.