Samuel_vangogh Posted November 5, 2023 Share Posted November 5, 2023 (edited) After such a long time without login in, i finally came up with a piece that wasn't trash. This is one of the piece i will show in my access test. I wrote the theme and some of the variations (maybe six in the final score) trying each one to have a distinct motive/character, there are some melodic movements i need yet to fix. Ignore the chinese hanzi in the title hahaha. - Samuel Tema con Variaciones.pdf Edited November 5, 2023 by Samuel_vangogh MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Tema con Variaciones > next PDF Tema con Variaciones 1 Quote Link to comment Share on other sites More sharing options...
Markus Boyd Posted November 5, 2023 Share Posted November 5, 2023 I like the expressive writing for the solo string part, although I feel that the harmony is somewhat monotonous (you do not really deviate from G minor at all). It would be nice if maybe you transitioned, even if short lived, towards a major mode as a respite from the dire tone that is otherwise set. Think of your listener's experience when writing. That should open much needed avenues for your music. 1 Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted November 10, 2023 Share Posted November 10, 2023 Hi @Samuel_vangogh, For the theme it's beautiful, but maybe you can vary the piano accompaniment a bit instead of repeating chords since those elements can also be varied later on! For var.1, I like that you exchange roles in b.25. Like @Markus Boyd, maybe you can change the harmony a bit like what Elgar does in his Enigma Variations (also in G minor)! For the Baroque varitation it will be interesting to invite polyphonic texture there! Thx for sharing Henry 1 Quote Link to comment Share on other sites More sharing options...
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