cloud10000 Posted February 17 Share Posted February 17 (edited) the video: 【微分音钢琴】存在与荒诞：将15平均律、19平均律和24平均律混在一起能达到怎样的效果？_哔哩哔哩_bilibili this is my new piece aiming at mixing notes in 15TET, 19TET and 24TET into a solo piano in my score, notes with accidental in baby blue are those in 15TET system, in purplish red are those in 19TET system hope you like it and give me some suggestions if you like! Edited February 18 by cloud10000 for the ultimate perfect version MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Being and Absurdity > next PDF Being and Absurdity score 2 Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted February 23 Share Posted February 23 I think it’s “Being Absurd” more than “Being and Absurdity”…… Apologies for my inability to appreciate it….. I really cannot enjoy something unplayable in real life……. For me it’s more microtonal playing and “nuancing” of those real great piano pieces……. Henry Quote Link to comment Share on other sites More sharing options...
Aw Ke Shen Posted February 25 Share Posted February 25 (edited) The contrasts between the steady rhythm of the bass and the rather unpredictable ascending, descending scales ( and their variations ) create this tension between the parts ( was going to say hand but since its not rly playable then... ). At 1.10, I though its going to be more normal but no, the absurdity continues... The ending was more honorable ( w some polonaise rhythms ) and consistent ( the rests and phrasing ), and less dramatic and chaotic than expected, maybe that was the intended joke...? I have followed you in Billi... and if you don't mind you can check out mine too! Edited February 25 by Aw Ke Shen Quote Link to comment Share on other sites More sharing options...
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