Jaden Davidson Posted April 9 Share Posted April 9 Here's the finished 3rd movement of the orchestral piece I started long ago. It was actually completed 3 months ago, mainly real life stuff got in the way. I do agree that it's supposed to be more of a "concerto" than "symphony" (based on comments I received on the 2nd movement), especially with the solo cadenza later on. Overall I'd consider this my favorite movement of the 3. When there are 12 themes and 16 separate staves, does near-omnipresence of 1 theme still seem monotonous? F major, 12/16, 129 measures, 12:57 MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Symphony_in_A_Major_mvmt3 > next PDF Symphony_in_A_Major_mvmt3 Quote Link to comment Share on other sites More sharing options...
Aria Donn Posted April 10 Share Posted April 10 Your use of piano and harp is horribly excessive and unidiomatic! Try writing a piece that uses neither instrument -- at all -- and see what it forces you to learn about orchestration. 1 Quote Link to comment Share on other sites More sharing options...
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