April 11Apr 11 Hiihiiii!!! This is my submission for the Spring 2026 Landscapes Competition :)For my landscape, I've chosen the mountains of Zhangjiajie, China. The first time that I saw these mountains, I was awestruck by just the sheer scale of them. Massive peaks and towers, overgrown with centuries-old moss, reaching beyond the clouds. Really just gorgeous. I wanted to try to write about them.The piece starts off zoomed outwards, depicting the sparseness of the clouds, until eventually, a melody begins to creep towards the first real theme--which I call the garden theme. The focus is on the garden now, zoomed in, it's a sort of natural oasis along the side of one of the tall mountainous pillar. It's beautiful, lush, full, until the garden begins to die as winter comes. The harmony because sparse and vague again, with large spontaneous gusts of wind... just very dry sounding overall. That is, until months later, the clouds darken, promising a heavy storm. Anticipation builds, until eventually, rain comes pouring down, so densely that it's almost like a wall. It's the first rain of spring!!! After the rain settles down, the garden comes to life again with the re-entry of the garden theme!! The piece ends as the focus zooms back out onto the clouds, and the tension finally resolves again.My goal with the piece was to try to represent the life cycle of the plant life out in the setting of Zhangjiajie. I hope you all like it !!!!AmidstTheCloudsAndFlowers.mp3AmidstTheCloudsAndFlowers.pdf Edited April 11Apr 11 by InstrumentalistElle (cont)
April 11Apr 11 55 minutes ago, InstrumentalistElle said:Hiihiiii!!! This is my submission for the Spring 2026 Landscapes Competition :)For my landscape, I've chosen the mountains of Zhangjiajie, China. The first time that I saw these mountains, I was awestruck by just the sheer scale of them. Massive peaks and towers, overgrown with centuries-old moss, reaching beyond the clouds. Really just gorgeous. I wanted to try to write about them.The piece starts off zoomed outwards, depicting the sparseness of the clouds, until eventually, a melody begins to creep towards the first real theme--which I call the garden theme. The focus is on the garden now, zoomed in, it's a sort of natural oasis along the side of one of the tall mountainous pillar. It's beautiful, lush, full, until the garden begins to die as winter comes. The harmony because sparse and vague again, with large spontaneous gusts of wind... just very dry sounding overall. That is, until months later, the clouds darken, promising a heavy storm. Anticipation builds, until eventually, rain comes pouring down, so densely that it's almost like a wall. It's the first rain of spring!!! After the rain settles down, the garden comes to life again with the re-entry of the garden theme!! The piece ends as the focus zooms back out onto the clouds, and the tension finally resolves again.My goal with the piece was to try to represent the life cycle of the plant life out in the setting of Zhangjiajie. I hope you all like it !!!!As a chinese person, I appreciate your love for my motherland.Anyways, the music is atonal. I think that isn't the BEST way to describe this place.The structure is weird too. I liked the brief g major chord parts.Melodies Themes Motives 2Harmony Chords Textures 1Form Development Structure Time 7Originality Creativity 10Score Presentation 10Instrumentation Orchestration Playability 8Execution of Given Challenge 6Taste 6Average 7.5
April 12Apr 12 Author 12 hours ago, TristanTheTristan said:As a chinese person, I appreciate your love for my motherland.Anyways, the music is atonal. I think that isn't the BEST way to describe this place.The structure is weird too. I liked the brief g major chord parts.Melodies Themes Motives 2Harmony Chords Textures 1Form Development Structure Time 7Originality Creativity 10Score Presentation 10Instrumentation Orchestration Playability 8Execution of Given Challenge 6Taste 6Average 7.5Hi!! Thank you for your feedbackk. I actually tried to imitate harmonies from as many Chinese composers as I could find (could only find a few so took some inspiration from some Japanese composers too) and I thought that I did alright. I was wondering, what made you think it's atonal? For reference, here were my biggest inspos:https://www.youtube.com/clip/Ugkx9sWO_07nOcVc31RWLQukpCSRIRGoLMvihttps://www.youtube.com/clip/UgkxCY-tbOrbg9ovMKSOY2F8QWCYvY1tz2w6https://www.youtube.com/clip/UgkximtvrASDQuNCaQ47ieLpRZ6iXuaxGym1https://www.youtube.com/clip/UgkxJnJpo0JuB56eB7LF3MQe0J9b-F1EbNEytytyyy btw !!!
April 12Apr 12 A lot of overlapping perfects. I see you tried to imitate birds and animals. I see you have done it in a creative way, so I gave you a 10.Overall, it isn't very bad.Did you check out these?or pianoI was expecting this type. Edited April 12Apr 12 by TristanTheTristan
April 13Apr 13 😯Wow... This piece really transported me there. Therefore an amazing submission, outstanding work. You seem like you may be a string player with your preference on hand position, and your pfp, but I still must say, this is some very difficult music to play. If I were to find out that a chamber group was going to play this, my first question no matter the group, would be if they could pull it off. But if I trusted the group, I would NEED to hear this.
Wednesday at 12:46 PM5 days i love the texture in this. its very subtle but it goes really well with your description! it is imaginative in a way that i could visualize the imagery. for example the gusts of winds starting on b.28 using the dynamics, or the rain on b.52. the beginning usages of harmonics to represent the clouds and the subsequent ones are also pretty coolthe string writings are lovely in my opinion, in the way that you took advantage of the different individual string timbres of the quartet. those low C string cello notes are powerful and prominent, especially on b.48 where, i think, it indicates the start of the "wall of rain" section contrasting the high register notes of the preceding sectionand finally, im fond of the way you use the variety of dissonances and added notes, it feels very effective and not over bearing that you're drowning in a chromatic porridgeMelodies Themes Motives 5Harmony Chords Textures 9Form Development Structure Time 10Originality Creativity 10Score Presentation 10Instrumentation Orchestration Playability 7Execution of Given Challenge 10Taste 9Average Score: 8.75final note: its peak. Edited Wednesday at 03:23 PM5 days by ferrum.wav
1 hour ago1 hr Hello, I will do the overall judging of your piece. First, let me talk about the program notes and also your stunning picture out of curiosity though have you took this to yourself? Anyways, you give a very interesting concept so I’ll see how that ties in with the music and you’re very descriptive.I like to say at first that I enjoy the use of the artificial harmonicsThis gives a very alien in what I like to call crystalline atmosphere. Almost glassy in a weird good way. I also enjoy the dynamic use as well. As for the change structures, this is the only thing you really listening for so nothing is really a pallet cleanser however, though this is a five minute piece so there’s no need for one.Melodic material : 3.5Harmony and texture: 8.3Structure and development 3Original creativity 7.56Score presentation 9.79Orchestration 8.9Execution 9.04Taste:7.9This average is out to a 7.25
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.