May 23, 200718 yr I found this book on the intarwebz. It's free and on the net. Neither of my textbooks contains a chapter on form (and I was wondering why my form was weak)! I googled some key terms, and I came up with this book, whose webpage looks a bit scuzzy, but which is free. It's written by one of Elliot Carter's composition students. It teaches form in a more functional, conceptual manner than I've had it taught to me. Instead of A, B, A, C, A, B, A or whatever the case may be, the book teaches 'Foreground v. Background' or ' Structural requirements for the beginning of a musical work'. I've barely started looking it over, but I know already that it's good.
May 23, 200718 yr I would recommend that anyone remotely interested in composing their own music should read all the articles on his page. Alan Belkin They're among the best which I've read. And you should check out the samples of his music on that page too.
May 23, 200718 yr I would recommend that anyone remotely interested in composing their own music should read all the articles on his page.Alan Belkin They're among the best which I've read. And you should check out the samples of his music on that page too. anyone who is looking for a place to do their bachelor's or master's in composition and isn't afriad to immerse themselves in a different culture and language, Professor Belkin teaches at Universit
May 23, 200718 yr Really?!?!?! wow.... that would be... incredible! But surely one does not choose one's teachers?
May 26, 200718 yr ......It's written by one of Elliot Carter's composition students..... Enough said - Carter RepentsWilliam Bolcom forwarded this to the composition department. I think it's pretty funny. Posted: Sun Apr 01, 2007 6:53 pm From the Associated Press NEW YORK -- American composer Elliott Carter, an exemplar of the atonalist style of modernism and according to admirers the greatest living practitioner of his craft, apologized to music lovers around the world today for what he called "a half century of wasted time." "What was I thinking?" the venerable Mr. Carter, 99, said at his home in Manhattan. "Nobody likes this stuff. Why have I wasted my life?" Carter said he "went wrong" back in the 1940s and spent the next 60 years pursuing the musical dead-end of atonality. In the past seven decades, he has produced five string quartets, a half dozen song cycles, works for orchestra, solo concertos and innumerable chamber works for various combinations of instruments--all in an advanced, complex style he now dismisses as "noise." Despite consistent encouragement of many mainstream musicians such as Boston Symphony Music Director James Levine, for Chicago Symphony conductor Daniel Barenboim, and the cellist Yo-Yo Ma, Carter said his many admirers were "delusional." "The critics who said they were just congratulating themselves for being smarter than everybody else were right all along," he said. "We should all go back and get our heads on straight." Carter said he blamed his late wife, Helen, for turning him into an unrepentant modernist. "She liked this stuff, and I could never say no to her," he said. Mrs. Carter died in 2003 at age 95. Since then, Carter said, he has been reevaluating his aesthetic. "I'd like to write something pretty for a change--maybe something based on an Irish folk tune," he said. He was uncertain whether he would withdraw his substantial catalogue from the repertoire, though one alternative would be to revise his works, ending each with a tonic triad, he said. "I feel like an enormous weight has been lifted from my shoulders," Carter said. "From now on, I promise to be good." . .
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