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Conceptual Music Competition 10: Still Hunt (Results!)


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CMC: Conceptual Music Competition

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This competition is based on the rules of the classic TOMC (Thematic Original Music Competition).

The CMC (Conceptual Music Competition) is designed so that each participant enters a piece of music based on a set theme. The participants take the theme and interpret it as they will to come up with something that fits. Any style can work, as long as it portrays a sense of what the theme is.

Feel free to be imaginative!

Each successive theme will be chosen by the winner of the previous competition. For example, say the theme of the last competition, CMC 17, was "Avalanche" and the winner, Serena, submitted a piece that knocked the socks off of everyone, so she won. Beth then gets to decide the theme for CMC 18.

CMC 10: Still Hunt

"PRESS RELEASE:

STILL HUNT - A terrifying new film from acclaimed director Alan Smithee and New Line Cinema

In STILL HUNT, two killers have escaped from prison in south Texas and are out to stalk their latest victims in the woods of the hill country. They have escaped on the eve of deer season and are not on the hunt for the largest deer, but whomever crosses their path first! Just as the Marshall family settles in at their quiet farm for a relaxing November weekend, they run into two strangers and quickly ask them to leave their land... but are these trespassers simply poachers or are they hunting for something else? The Marshall family will soon learn that they are not the family doing the hunting this deer season... but that they are, in fact, the game being hunted." -Rich Douglas

Results!:

There are 3 entries for this round...

Rich Douglas - "The Gas Station"

  • "My cue follows the first 2 victims as they stop at a derelict gas station looking to fill up on gas. Little do they know that the criminals who escaped are waiting for them and have already killed the gas station attendant. The first part of the cue starts off with a bang as the first victim is stalked and killed as she explores a shed behind the gas station. Mournful strings are brought in as she struggles and attempts to call out for help. Her boyfriend, now worried that she has not returned to the car, begins to search for her... calm at first, then frantically. Eventually he meets his end as he's hit in the ankle with a wrench and tries to limp away only to be killed as he's just about to reach the car."

Avarixin - "Hunters on Holiday"
  • "It is Christmas eve, and everyone is out either carolling, joining together as a family for the upcoming holiday, or finishing up last minute shopping for presents. The Marshalls are at home singing carrols, discussing the pleasure they feel of this most joyous time of year, as they are huddled underneath their fireplace for warmth. A typical family at the time of Christmas. However, as they are rejoicing in this most glorious occasion, one of the family members notices two men sitting on the cold ground outside. Thinking that they must be very cold from the weather outside, the family invites the two strangers inside to join them in their Christmas celebrations. Sadly though, this will be the last Christmas that the Marshalls ever experience, as they discover the true motives of these strangers much too late to do anything. The first of these two strangers kills the husband, then the eldest son and wife, all three of which don't even put up a fight. In the meantime the other goes into the hallway, where the three children have run off to. He kills the two sons just as easily, but misses the daughter, who runs off into the living room, only to get killed by the first killer. The first killer, though, is displeased with the sloppy job of his partner, and kills him as well. Then he leaves the house once again, to return to the cold outside. He then fires one last shot off, this time into the distance ahead of him, for his Christmas celebration isn't quite over yet..."

Herb Wheeler - "Still Hunt"

  • "This piece can either be considered (1) an overture to the movie run during the initial credits, or (2) as the story compressed into one afternoon as follows:
    The two killers have escaped their pursuers through the woods and hide out near the Marshalls' farm. The Marshalls are enjoying a fine sunny day barbecuing while checking their gear and rifles for tomorrow's deer hunt. The killers pretend they are hikers and join the barbecue but the Marshalls get suspicious - a fight breaks out - the family are forced to retreat and hide in the barn leaving their rifles behind. The Marshalls try to sneak away to hide in the woods while the killers come after them with loaded rifles. The hunt is on."

Voting Rules!:

  • Voters will be allowed to pick a first place (3 points) and any number of honorary mentions (1 point). Only one set of votes from any one voter will be accepted and a person cannot vote for any one piece more than once. Corrections to votes, from the original voter only, will be accepted, but corrections will void the previous votes. Basically, a voter can vote and correct the vote, but only the final form of that vote will be counted. Send all votes to Abadoss by PM or e-mail. Please include any and all constructive critiques (not to be confused with bashing) about them with your votes as well, so that there's always a sense of growth in the artform. If you wish to remain anonymous, just state so in your PM. Thanks.

  • The voting period will last from the moment the entries are posted in the thread to the Saturday of that week. The voting period for this round ends July 28, so be sure to spend some time really listening to the pieces.

  • Any participant in the competition can vote, but not for their own pieces. However, in an effort to encourage voting among participants, any participant who votes will have 2 points added to their voting score.

Official Rules!:
  1. Each piece must be originally composed for this competition. Arrangements and remixes will not be accepted. (Pieces composed by the participant prior to the competition will not be accepted.)
  2. Each piece must be 2:00 or longer and match the competition theme.
  3. Only one entry per person. Collaborations will be allowed, but each collaborator may not submit any other pieces. (This also means that a person cannot collaborate on two or more different pieces at the same time.)
  4. A link to the entry piece must be PMed to Abadoss prior to the deadline set for each competition. DO NOT POST THE LINK IN THE THREAD!
  5. Important: Each file must be labelled accordingly: Composer_Name_-_Composition_Title_CMC#.mp3
    (For example, if Allison Riddle submits a piece called "The Hunter is Hunted by a Girl" to CMC 14, then her filename would be: Allison_Riddle_-_The_Hunter_is_Hunted_by_a_Girl_CMC14.mp3)
  6. MP3 file format is required. Know that even OGG will need to be converted into MP3. (If someone is unable to do so themselves, Abadoss would be willing and able to do it for them.)
  7. Entries should be accompanied by a description and/or story to help listeners understand what the piece is about. (Not required, though.)
  8. All entries must be submitted by Saturday, July 21, 2007 at 11:59 PM - PST, GMT-8.

You can find the competition threads for each forum listed below:

Good luck and have fun! :D

Previous CMCs: Conceptual Music Competition (1-9)

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I hadn't yet realized 2008 was already coming out. The feature I'm most excited about is the audio recording/import... mmm...

I just got it.:huh:

I have to say the recordings dont sound to shabby I'll post a recording of me playing guitar into it later but I'll give it an A. What I wasn't to crazy about was the new garritan sounds they give you good ones but NOT ENOUGH. That and the combination of the click and mass edit tool.

Demos..........

Anyway I thought it was worth the upgrade forsure this time.:huh:

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I think it might be useful for competitors to comment on their own entries as well as others ( assuming they vote and make comments) - on what they thought worked best and what didn't work so well. What do you others think?

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That's actually something you can put into the description if you want to.

I was thinking of the comments by entrants after the voting. Well, I did put more in my CMC9 description but it was edited out :huh:.

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Edited out? Sorry. Yeah, usually it's best to indicate where the description starts and where it ends. That way, it's not just me guessing.

No problem - hardly even rates as a mole hill :).

Back to my original idea which was that entrants could make a comment on their own music as well as others after the vote. For example, I don't think any entrant will want to say "I had a lot of trouble with the ending, never did get it right, but ran out of time" in their pre-voting blurb especially as composers are sometimes wrong in their own impressions of their work.

So I take it you are not opposed to this happening, or are you?

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