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Found 1 result

  1. Hughes


    I started writing this piece a year ago, and worked on it for about four months. Then I put it to one side and started on a more melodic piece (Voile d'automne). Having completed the latter I was able to return to the former piece and complete it (as far as any piece is completed). So, here it is. I based it on a lengthy chord progression. I wanted to explore a darker soundscape than in previous compositions, use many more exotic chords (the sound of which I really appreciate), and employ several different modes. I was mildly intrigued that the locrian mode doesn't cadence, and so confronted this issue directly. One of the (no doubt many) weaknesses of the piece is that I have not found an adequate way to make greater use of a) the marimba; b) the voices. I did not want simply to include them when they were not needed just because they were there, yet I feel uncomfortable about how little contribution they make to the piece. As always, all feedback will be gratefully received.
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