Jump to content

Search the Community

Showing results for tags 'post-modern'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Board
    • Announcements and Technical Problems
    • Young Composers Magazine
  • Upload Your Compositions for Analysis or Feedback
    • Orchestral and Large Ensemble
    • Chamber Music
    • Choral, Vocal
    • Piano Music, Solo Keyboard
    • Incidental Music and Soundtracks
    • Jazz, Band, Pop, Rock
    • Electronic
    • Incomplete Works; Writer's Block and Suggestions
  • Community
    • Masterclasses
    • Music Appreciation: Suggest Works or Articles
    • Composers' Headquarters
    • Repertoire
    • Performance
    • Advice and Techniques
  • Competitions and Collaboration
    • Competition Hall of Fame
    • Monthly Competitions
    • Collaborative Works
    • Challenges
    • External Competitions
  • Technological
    • Finale and Sibelius Help Desk
    • Sound Libraries
  • Rite of Spring analysis Club's Part 1: Augurs of Spring
  • Rite of Spring analysis Club's Part 1: Introduction
  • Rite of Spring analysis Club's Part 1: Ritual of Abduction
  • Rite of Spring analysis Club's Part 1: Spring Rounds
  • Rite of Spring analysis Club's Part 1: Ritual of the Rival Tribes
  • Rite of Spring analysis Club's Part 1: Procession of the Oldest and Wisest One
  • Rite of Spring analysis Club's Part 1: The Dancing Out of the Earth
  • Play this Passage's HOW IT WORKS
  • Play this Passage's WHO PLAYS WHICH INSTRUMENT(S)
  • Music and Media's Discuss and Collaborate on a Project
  • Young Composers Preludes and Fugues Project's Submit a piece
  • Young Composers Preludes and Fugues Project's Rules and Guidelines

Calendars

  • Community Calendar

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Biography


Location


Occupation


Interests


Favorite Composers


My Compositional Styles


Notation Software/Sequencers


Instruments Played

Found 2 results

  1. Improvisation on ‘In The Air Tonight’ I always wanted to do a cover of Phil Collins ‘In The Air Tonight’.. I think it is an extremely powerful sounding song. It has a haunting quality to it, it almost sounds like it might be a ‘holy’ song. Part of that is a low drone of A through out the song.. It ‘holds’ the piece. As I worked with the song, I realized how important the quality of Phil Collin’s voice and the lyrics were to the piece.. He has a rather plain, slightly nasal quality. But it adds to the emotion. It is an ‘everyday voice, an ‘anybody’s voice’.. He also sings the same melodic phrase quite a bit, which adds to it’s hypnotic quality. Without the lyrics and his voice, the melody wasn’t as attention grabbing. So I took considerable leeway with the melody and let a few instruments take turns sharing and improvising on the melody. I also continued to explore the avenue of sound design. Many of the instruments at the bottom of the score are only one staff, because they really don’t have a real designated pitch center.. And I could never fit all those staffs on one page. I searched for, created, and modified interesting (to me) sound patches, from Kontakt libraries, UVI Libraries, and a number of virtual instruments. I also layered some of the parts, with 2 or 3 different patches, at softer volumes, to create a richer tapestry on the one track. I tried to juxtapose a few traditional instruments, with totally ‘unreal’ instruments, and sound collages which I created. I did a fair amount of audio processing, using various audio mutation plug-ins to change the sounds and instruments into something different. I am trying to use created sound/ sound collage as an instrument in itself. It is more the strange harmonics, and processed rhythms to create an emotion. The Acoustic Guitar picking part is a function of the ‘Sunbird Guitar’ by UVI. It plays a picking pattern to blocked chords, hence I could not notate it properly.. Like wise there are a couple of patches, which have soft arpeggios build in (some of the UVI libraries) so without the MIDI out, there is not a proper way to notate them.. (maybe in next life, I’ll have perfect pitch).. This and the last few pieces I’ve done, are more an exploration in an area I want to explore. Eventually I hope to compose a huge piece with pieces more traditional (for me) and more exploratory.
×
×
  • Create New...