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  1. What is its role for you as a composer? Do you disregard it, listen to it and find it beneficial, or do you even depend on it to guide you in what to compose and how to compose?
  2. Is it what drives the composition of every piece? Should it be what drives the composition of every piece? Is it like that with you? Is it like that with most composers? Or are there composers who do not mind if recognition were to never come and compose regardless?
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