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Would love to see what you worked on, but your post is only text! We need something to view/listen to! -Unc

and indeed, old member. @ferrum.wav you should check out @SergeOfArniVillage works!

HI there, are you writing by hand or using a program?

Here are my overall thoughts about this competition: Overall, the competition was competition went well. I think new members might find the three-month time limit a challenge. However, seasoned members, with the flow. It allows entries to submitted and to be scored fairly. For the spring competition, I was a judge! There was one entry that stand out! Sadly, it was scored very low. For now, the competition should be for fun. and open to all. But I do not want to anyone to bummed out if they score low. So maybe new members should encourage from seasoned to join after they have a couple works? (just a thought).

Malzeno Battle Theme - MHR Sunbreak (4K/HQ):

Oggdo Bogdo | Star Wars Jedi: Fallen Order OST:

The Grand Finale - Mario & Luigi: Bowser's Inside Story OST:

One-Winged Angel (Final Fantasy VII):

Colgera Battle [All Phases Seamless Theme] — The Legend of Zelda: Tears of the Kingdom OST:

Chris Christodoulou - …con lentitud poderosa | Risk of Rain 2 (2020):

Mora the Spider from Ori and the Will of the Wisps:

27. It’s TV Time! (DELTARUNE Chapter 3+4 Soundtrack) - Toby Fox:

Calamity Ganon Phase 2 (The Legend of Zelda: Breath of the Wild OST):

Here is my revised score and rendition, incorporating Henry's brilliant idea! Also tweaked the sound balance: so the flute is no longer getting buried. Frank Bridge - Dusk #25 (added ZL compressor).mp3 Frank Bridge - Dusk #25 (added ZL compressor).pdf

Dark beast ganon appearance and final fight theme from Legend of Zelda Breath of the Wild:

Indeed we need our imagination as there's no link here 😜

Glad to hear you nonetheless participated in writing a Landscapes - Soundscapes themed composition! Where is the link to the music?

Heyo! This was the piece I was thinking about entering, but too late did I realize it was composed for a larger ensemble than the competition asked for. Nevertheless, I’d like to hear feedback. I wrote this in high school. Please use your imagination with some of the Noteflight playback, like on the percussion rolls.

Oof.. lol as I said before though, Musescore Studio is quite poor at translating MIDI to legible notation... As what you show there in that document is quite a jumbled mess of notes on a score. Whenever I am trying to arrange music using MS, typically I elect to simply Transcribe it by ear while listening to the original music. Of course, it is labeled properly with copyrights, and is not typically shared on public platforms unless the copyright holder allows use of their material to be published. (YouTube is quite good at notifying you of whether or not that's the case.)

Over the last month, I have challenged myself to compose every day, and the following 10 pieces are the result. It's been quite a challenge and I need a bit of rest after this, but I'm proud of the amount of work I was able to put into composition this month. YouTube link Score I hope you find some joy in them!

I made multiple little tweaks and improvements today (at least I think they're improvements?) Frank Bridge - The Dew Fairy #31.pdf Frank Bridge - The Dew Fairy #33.mp3

Thanks Kyle, I'm so glad you enjoy the piece, as I don't think it's very well known. The tuplets are crazy; but I was just reflecting what was in the original score. Bridge writes them as reduced size notes, rather like Chopin's flourishes; but this was the only way I could think to translate them into midi. One thing I'd like to fix is the tenuto accents in the harp part, as they're too strong at the moment. Will have to see if I can tweak the properties. Anyway, many thanks for listening and commenting. Alex

Thanks! I actually hadn't heard of him until a fortnight ago, when You Tube recommended this piece to me. Perhaps it's time for a Bridge revival?

I wrote this yesterday in time I should have allocated to study for University, but alas this had to be born. The name is because it reminds me a little bit of Ravel, though perhaps it is closer to his student Vaughan Williams. The main themes are presented at the beginning and then each subsequently orchestrated on their own. There are some interludes for the brass and the final two darker sections are connected only motivically to the rest, though there is a deep harmonic relationship between those last two. It is not intended for real performance, I think the sound is clear enough and the work short enough to not need a score to follow (my excuse to not clean it up haha). https://youtu.be/zKFozjlhlJI?si=1WDGgZvzNyXdK_cu

I must confess I'm not a fan of Bridge. I know he got more intriguing as he aged, which I find attractive. I really like this arrangement!