Composers' Headquarters

2,563 topics in this forum

1. Mannes or Manhattan School of Music

   By rachmaninoff22, March 15, 2009
   • 0 replies
   • 1.1k views
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   • rachmaninoff22
   • March 15, 2009

2. Microtone harp? 1 2

   By compose yourself, March 14, 2009
   • 36 replies
   • 8.7k views
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   • murphybridget
   • April 25, 2024

3. 250,000 theses online

   By nikolas, March 14, 2009
   • 6 replies
   • 1.1k views
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   • Mark
   • March 15, 2009

4. studying odd music

   By CarterClassical, March 13, 2009
   • 2 replies
   • 789 views
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   • SYS65
   • March 14, 2009

5. How good are you at timing... 1 2 3

   By Schumann, March 11, 2009
   • 53 replies
   • 6.1k views
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   • SYS65
   • March 13, 2009

6. Brainstorm with me

   By Apple Charlie, March 11, 2009
   • 7 replies
   • 1.1k views
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   • Apple Charlie
   • April 12, 2009

7. What would music historians call this era? 1 2 3

   By Plutokat, March 10, 2009
   • 74 replies
   • 8.1k views
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   • Gavin Gorrick
   • July 22, 2009

8. Group Analysis of Debussy's String Quartet

   By healey.cj, March 10, 2009
   • 11 replies
   • 11.3k views
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   • healey.cj
   • March 26, 2009

9. Creative freedom?

   By cygnusdei, March 9, 2009
   • 13 replies
   • 1.7k views
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   • almacg
   • March 9, 2009

10. Microtonality, anyone?

    By No_One_Else, March 9, 2009
    • 15 replies
    • 2.1k views
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    • No_One_Else
    • March 13, 2009

11. Typical overtones?

    By JoshMc, March 9, 2009
    • 6 replies
    • 1.1k views
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    • Ferkungamabooboo
    • March 9, 2009

12. Composer Prolificness

    By Edgar, March 8, 2009
    • 22 replies
    • 4.2k views
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    • Edgar
    • March 10, 2009

13. How to improve your "musical" memory?

    By PhantomOftheOpera, March 6, 2009
    • 9 replies
    • 1.4k views
    • 
    • dude
    • March 8, 2009

14. Finding Your Compositional Voice

    By healey.cj, March 6, 2009
    • 15 replies
    • 3.4k views
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    • compose yourself
    • April 2, 2009

15. Influential Composers Discussion

    By Schumann, March 5, 2009
    • 3 replies
    • 947 views
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    • Cody Loyd
    • March 5, 2009

16. Cognitive Constraints on Compositional Systems 1 2 3

    By Exanimous, March 4, 2009
    • 50 replies
    • 5.8k views
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    • compose yourself
    • March 9, 2009

17. Novel or Slovenly? Post Novel Ideas. 1 2

    By No_One_Else, March 4, 2009
    • 25 replies
    • 2.4k views
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    • jujimufu
    • March 15, 2009

18. Finale and Sibelius: Help or Hinderance for the developing composer?

    By healey.cj, March 4, 2009
    • 21 replies
    • 3.7k views
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    • froglegs
    • September 16, 2011

19. crazy experiment

    By PhantomOftheOpera, March 3, 2009
    • 18 replies
    • 2.1k views
    • 
    • zwetschenwasser
    • June 13, 2009

20. About 5 strings Contrabasses 1 2

    By SYS65, March 2, 2009
    • 27 replies
    • 3.5k views
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    • SYS65
    • March 13, 2009

21. An entirelly percussive piece

    By PhantomOftheOpera, March 1, 2009
    • 2 replies
    • 807 views
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    • blackballoons
    • March 1, 2009

22. Best Melody/Melodist Ever? 1 2

    By Schumann, March 1, 2009
    • 49 replies
    • 10.8k views
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    • indreamweaver708
    • March 10, 2009

23. Would people get mad...

    By Mathieux, February 28, 2009
    • 14 replies
    • 2.2k views
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    • SYS65
    • March 2, 2009

24. music only on scores? school of thought? 1 2

    By nikolas, February 28, 2009
    • 29 replies
    • 2.8k views
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    • Schumann
    • March 7, 2009

25. Searching for a chord...

    By PhantomOftheOpera, February 28, 2009
    • 7 replies
    • 1.1k views
    • 
    • Schumann
    • March 1, 2009