Composers' Headquarters

2,569 topics in this forum

1. Writing a good Minimalist piece

   By Mathieux, March 20, 2009
   • 10 replies
   • 8.9k views
   • 
   • jujimufu
   • March 20, 2009

2. Odd time phrasing, how does it really sound? 1 2 3 4

   By PhantomOftheOpera, March 18, 2009
   • 83 replies
   • 10.3k views
   • 
   • musicdecomposed
   • April 5, 2009

3. Music or Not ?

   By SYS65, March 17, 2009
   • 3 replies
   • 877 views
   • 
   • Flint
   • March 17, 2009

4. Seeing/Hearing/Fixing my mistakes.

   By M4UeSvIeCr, March 17, 2009
   • 16 replies
   • 1.7k views
   • 
   • SYS65
   • March 19, 2009

5. Update on LMG

   By Dustin Hahn, March 15, 2009
   • 7 replies
   • 1.6k views
   • 
   • Dustin Hahn
   • May 12, 2009

6. Favorite Era... 1 2 3

   By No_One_Else, March 15, 2009
   • 53 replies
   • 6.3k views
   • 
   • SSC
   • March 28, 2009

7. Mannes or Manhattan School of Music

   By rachmaninoff22, March 15, 2009
   • 0 replies
   • 1.1k views
   • 
   • rachmaninoff22
   • March 15, 2009

8. Microtone harp? 1 2

   By compose yourself, March 14, 2009
   • 36 replies
   • 9.4k views
   • 
   • murphybridget
   • April 25, 2024

9. 250,000 theses online

   By nikolas, March 14, 2009
   • 6 replies
   • 1.2k views
   • 
   • Mark
   • March 15, 2009

10. studying odd music

    By CarterClassical, March 13, 2009
    • 2 replies
    • 841 views
    • 
    • SYS65
    • March 14, 2009

11. How good are you at timing... 1 2 3

    By Schumann, March 11, 2009
    • 53 replies
    • 6.4k views
    • 
    • SYS65
    • March 13, 2009

12. Brainstorm with me

    By Apple Charlie, March 11, 2009
    • 7 replies
    • 1.2k views
    • 
    • Apple Charlie
    • April 12, 2009

13. What would music historians call this era? 1 2 3

    By Plutokat, March 10, 2009
    • 74 replies
    • 8.4k views
    • 
    • Gavin Gorrick
    • July 22, 2009

14. Group Analysis of Debussy's String Quartet

    By healey.cj, March 10, 2009
    • 11 replies
    • 11.7k views
    • 
    • healey.cj
    • March 26, 2009

15. Creative freedom?

    By cygnusdei, March 9, 2009
    • 13 replies
    • 1.8k views
    • 
    • almacg
    • March 9, 2009

16. Microtonality, anyone?

    By No_One_Else, March 9, 2009
    • 15 replies
    • 2.3k views
    • 
    • No_One_Else
    • March 13, 2009

17. Typical overtones?

    By JoshMc, March 9, 2009
    • 6 replies
    • 1.2k views
    • 
    • Ferkungamabooboo
    • March 9, 2009

18. Composer Prolificness

    By Edgar, March 8, 2009
    • 22 replies
    • 4.4k views
    • 
    • Edgar
    • March 10, 2009

19. How to improve your "musical" memory?

    By PhantomOftheOpera, March 6, 2009
    • 9 replies
    • 1.5k views
    • 
    • dude
    • March 8, 2009

20. Finding Your Compositional Voice

    By healey.cj, March 6, 2009
    • 15 replies
    • 3.6k views
    • 
    • compose yourself
    • April 2, 2009

21. Influential Composers Discussion

    By Schumann, March 5, 2009
    • 3 replies
    • 1k views
    • 
    • Cody Loyd
    • March 5, 2009

22. Cognitive Constraints on Compositional Systems 1 2 3

    By Exanimous, March 4, 2009
    • 50 replies
    • 6.1k views
    • 
    • compose yourself
    • March 9, 2009

23. Novel or Slovenly? Post Novel Ideas. 1 2

    By No_One_Else, March 4, 2009
    • 25 replies
    • 2.6k views
    • 
    • jujimufu
    • March 15, 2009

24. Finale and Sibelius: Help or Hinderance for the developing composer?

    By healey.cj, March 4, 2009
    • 21 replies
    • 3.8k views
    • 
    • froglegs
    • September 16, 2011

25. crazy experiment

    By PhantomOftheOpera, March 3, 2009
    • 18 replies
    • 2.2k views
    • 
    • zwetschenwasser
    • June 13, 2009