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Bach played on theramin? :phones:

These ways of constructing or analyzing scales does not make one or another scale more or less "natural", since the mere act of construction in a certain way is artifical. Also, when speaking of partials and their meaning, you should have in mind that the farther the partial in the series, the less significant it is psychoacoustically. Also, scales are not only about harmonic, but also about melodic relationships. So another explanation would be "in favor" of the Ionian mode, since the Ionian tritone resolves to the tonic, while the fourth and seventh degrees at the same time have tendencies to the third and first (eight), respectively. And so on and so forth...

Just saying, neither lydian, nor lydian B7 have a neutral sixth, or a semi-augmented fourth, like the scale from the 8th-16th harmonic. If you actually listen to the aforementioned scale, not just look at sheet music that maps the harmonic series to the closest 12-tet interval, you can hear that is very diffrent than lydian.

aliens would love math smart people love math math=advanced

Star trek is pretty great. Maybe we should send the aliens that.

Heh... we musicians will be the ambassadors of human species :)

You're clearly retarded.