Leaderboard

This is my "Two Sententiae for Piano, Op. 315". It is one of those sets of sententiae that are composed of only two sententiae. Sometimes a third or further sententiae are simply not within my inspiration. And I believe that those twin-sententiae-sets are perhaps the more powerful, pure, and "precious" for their "rarity" or scarcity. Here is the link to my previous set of sententiae for piano, posted on August 8, 2018: https://www.youngcomposers.com/t36881/three-sententiae-for-piano-op-312/

So I see you're experimenting with broken sequences here. I think the second one works better than the first since it is used as a developmental figure instead of part of the initial motivic device. The parallel fourths and fifths in the first one could have contributed to that perception, however.

These are my "Three Piano Sententiae Op. 312". They are my 8th set of sententiae for piano. Here is the link to the previous set: https://www.youngcomposers.com/t34332/three-sententiae-for-piano-op-284/