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Unfigured Bass Practice
Yeah! They are basically Bass parts that are given without the figures written underneath. From my understanding they were not that comply used, but I would assume that are a good for practice harmonizing over a given bass part. I updated those two mistakes you pointed. I changed that diminished chord in b. 5 to.a g minor to get a iv-V-i at that spot!
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Unfigured Bass Practice
I have a book by Ebenezer Prout, in which he gives a number of unfigured basses to practice harmonizing over. I made an attempt at harmonizing the given bass line. The given bass is highlighted in red. The top three voices were added by me. Any feedback is appreciated!
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Soliloquy No. 2
Thanks for listening! I guess when I say "modern" I meant harmonies that were not based around the Major/Minor Tonal system. In some of the other pieces, I composed using Whole Tone Scales ideas for a more "modern" feel!
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Soliloquy No. 2
I have recently started writing some solo Flute pieces, that make use of more "modern" harmonic ideas. He is the second one of the set that I names Soliloquy No. 2. Any feedback is welcomed!
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Serenade No. 1 (Duet for Cello and Piano)
Thanks for the feedback! I have really been getting into more quartal harmonies lately! I did not consider the idea of using more slurs throughout the piece, so that will be something I will look into. Also, thanks for the feedback on the octave sustain. I thought that would be something that would be "easier" to do, so I will look into to editing this as well!
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Serenade No. 1 (Duet for Cello and Piano)
Here’s a duet I composed for Cello and Piano! I tried to make use of more “modern” harmonic ideas with this piece. Overall, I find it decent, and probably would change a couple of things. Any feedback is welcomed!
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hello! I'm new
I think the idea is interesting overall! The instrumentation is cool and I like some of the rhythmic ideas! My main concern would be the musical "goal" of the idea. For me it seems to loop without any development. As a type of background music to say a video game, I think this type of piece would be a perfect for it! But if it were meant for a more "performance" type of music, then, I would look into how to develop ideas further! As it is, it does not sound bad! I would like to ask, who are your influences and what type of music are you looking to write! Keep going! Also, my ear did not bleed lol
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How do I compose faster?
How well is your knowledge in things such as harmony, counterpoint, and form? I would say having a great and in depth knowledge in this topics can help! Also, what trios inspire you, and do/have you analyzed any of the pieces! By doing so you can figure how trios are written, and if you choose to, model your work on those pieces!
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Fugue in C Major For Pipe Organ
Here is a Fugue in C Major that I composed for Pipe Organ. Overall, I think it sounds good, but I am open to any feedback! I am eventually write a prelude for this idea as well! Also, for anyone more familiar with the instrument, do staccato markings make sense for the pedal part of the idea? Thanks!
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Trio Sonata in Gm
I really like the piece! Any plans to use this for a suite? It reminds me of Corelli's church sonatas, especially when using the organ as a continuo instrumnent! Initially the trills on the end of the bars, kind of sounded a bit "off", but after several listens they started to sound "right" to my ears!
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Moderato for Violin and Basso Continuo in F Major
Thanks for the feedback! I will try out the Musesounds violin! I agree there are some notes that I need to change, and there are some other flaws that needs to be changed to the idea as well! I guess I was mainly looking for a general feedback on how the idea sounds, and if it sounded decent to anyone?
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Organ Trio in A Major (WIP)
Hey! I have worked a bit more on this, since ive posted this, but I need to finish it! I will take this as a sign to do so And I will have to eventually explore the string orchestra. That would be two violins, viola, cello, and double bass right?
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Moderato for Violin and Basso Continuo in F Major
Here is piece I wrote for violin and Basso Continuo. There might be some mistakes and I still need to add the figured bass. Any feedback is welcomed! Also, musescore for some reason does not do the trills right, so to me they sound bad!
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Blue Poppy (Jazz Ballad)
In theory there would be solos, if it were to be played live, but I’m not sure if I want to write out solos for the digital recording! I might have to put together a small jazz band lol!
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Blue Poppy (Jazz Ballad)
Here is a Jazz Ballad piece I composed called Blue Poppy. Any feedback is welcomed!