Fruit hunter

This is actually a personal narrative. I generated the character names as pseudonyms for privacy reasons (so I don’t get yelled by the actual people.) This is all written in the perspective of Ross (the pseudonym for me). As you could see, this is a part three out of four parts and I have the fourth act already written. I just have to edit it and add the names. Feel free to check out the first and 2nd movement. It has some musical context along with the storyline. But thank you for listening to it. I always wanted an analysis or at least feedback of the piece. So definitely thank you

Can I have the score to this? This way I can give more detailed feedback and also talk about orchestration.

The chord progression sounds very similar to Vivaldi‘s winter concerto for the first movement. Same thing with the rhythm, but articulated differently with more aggression. Also, there is some twinkle sound. I don’t know if it’s a glockenspiel or glass bottles or literal icicles being played on. It sounds nice, but some are out of time unless if that’s your intention.

Look in the description of video for performance notes. I also had attached a PDF of the score. Keep note that this is one of my shorter works and has been rushed so not a lot of effort had been put into this

It has that sound, but I don’t know how to describe it. I think that B flat is contributing to it. it has been nostalgic fairytale Disney sound. I heard it another music.

program notes: Act III: Betrayal Ross begins to sense something wrong—what should have been a simple meeting starts unraveling into a web of deception. Aldric secretly contacts Isolde, planting seeds of confusion. His new, manipulative theme emerges, cold and calculated. Isolde’s presence grows stronger, but so does Ross’s fear. Despite Ross’s efforts to intervene, Aldric’s control deepens. Tension builds as Aldric floods Isolde with messages, mocking Ross in the shadows. Ross spirals into paranoia, captured in the emotional haze of the Pool of Constant Fear. But clarity breaks through—Ross finds a way to act. He reaches out to Isolde himself. A confrontation follows. Aldric’s mask finally slips. His schemes are exposed. For more context visit this.

Yes, I am a percussionist Anyways, this piece is not really as programmatic as my other pieces, but it follows the idea that the first movement starts as an initial idea for battle 2nd movement starts as a planning phase. The 3rd movement is a waltz for the dynasty. (the opposite side of the revolt.) and finally, the fourth movement is kind of a March into war

The score is provided along with a score and audio video along with the Muse score. Link for those who want to see program notes. “ some are more effortlessly get recognized then others ”. “ it’sjust not a skills thing. It’s a luck thing.” From true experience, some people are somehow treated betterthan others whether if it’s from environmental factors, the wholeidea about pretty privilege where some people could effortlesslyget what they want while others have to fight for what they need Now imagine a world where the bottom of the the pyramid fightsand topples the top some may say “ revolution” (Tl;dr, revolution,basically revolution) https://musescore.com/user/53049012/scores/25123696

Condensing a score in Muse score is definitely not one key stroke, but is not as tedious as you may thought it’s a few more extra steps. I think you just have to go into the format of the score and click on condensed score or something. I’ve done that many times .even the sound mapping is more difficult than condensing a score.

I like it sounds nice. Definitely a large contrast between the first part and kind of follows the structure of ABA. At “ritmico” the crash cymbals would sound better if they were choked. with the audio The slower parts were not really as clear and sounded kind of muddy and blurry, but that was probably a playback thing. Nice work with the low brass and the feature with that.

It sounds quite nice. I like it. I like the counterpoint really much. You definitely really spiced up the major which I’m really happy about as that just using the major scale by itself can be really bland. Sometimes I also heard some theme that sounds a bit like “deck the Halls.”

For more context visit: program notes: Dawn breaks, setting an uneasy tone Ross confides in Percival before fate leads him to Selene Orson’s cruelty surfaces, while Florence plays a dangerous game—flirting, deceiving, and lying Ross seeks comfort in Evangeline but Aldric pushes him toward a reckless confession. Searching for answers, Ross is left wandering alone Rejection looms as echoes of fate return. Selene turns him away. Humiliation follows—Malcolm mocks him and Orson delivers one final blow Defeated, Ross is left only with his Reflections of a Hollow Heart. Score and audio:

Now it works

So I listen to the first movement and a bit of the third movement but focusing on the first movement, I found that it sounded very interesting and sort of like 20th century stuff. It definitely has a unique sound the third Quartet sounds nice and is lively and also it being in a major key at points. I do feel like that all four quartets should be packaged as one piece, but that’s my take on it. You could keep them separate, but I think that each movement would contrast nicely with each other. also, I couldn’t look at the scores for the first and third movement because it just showed up as a blank Google doc

First off I noticed that their first movement was a nice little 6/8 waltz I really enjoyed it. The music does scream one last dance, and the first movement ends with unison, making everything more stronger. The 2nd movement is subtitled as longing assuming which is probably this piece is some sort of love story, or something with the connection of love or something like that it starts off slow and with the feeling of longing with various woodwind features placed throughout and I do in particular like the ending where the theme is played in a processional March The third movement was a bit more joyous and provided relief. I do like mixed meter stuff which you did very well and it had that typical concert band type feel to it with syncopated rhythms and runs and also is in major. The final movement definitely had the sound that you would hear in like a movie or something, but then it goes to its original theme with the galloping rhythm and I do like the Rubato on the winds. I do find that the euphonium does stand out a bit other than that the orchestration is really great, but definitely mix down the euphonium so it blends better in the playback anyways great work