I’m working on a project to compose 24 preludes and fugues, inspired by Bach’s Welltempered Clavier and Shostakovich’s Op. 87.
The fugue in F major is my first post to the YC community, which I would describe as
WOODPECKER AND BARCAROLE - FUGA SCHERZANDO
The theme, knocking, with a sixfold repetition of the root note, counterpoint and interludes, on the other hand, in a swaying, rocking quaver motion.
This contrast of “woodpecker” and “barcarole” makes up the jocular character of this fugue, underlined by the interjections of “wrong notes” - inspired by Shostakovich's D flat major prelude - in the coda.