Arthur Reglay

Long time no see. At last I'm in summer vacations, so I can visit this place more often. This is a fancy title for a piece that took me a whole week composing. It's a harpsichord duet, nothing to do with the Baroque time. It is better to watch the score rather than simply hear it, because you could understand why the repeat at the end. Hope you enjoy! The Mirror Mage.mid

I don't know Alessandro Scarlatti nor Pietro Filippo. I just know Johann Sebastian Bach, Georg Friedrich H

Usually, I don't comment on mp3 files becuase they are way too heavy for me to download them (about an hour each), but I'm going to try downloading this. I love the title.

I listen to a lots of music and I, too, require extreme forms of expression and passion, but I understand that speed does not do the trick. Simple, impacting chords are the best.

I'll work more on this. I think I was through a "mental constipation". You're right, the ending is not quite good, so I think I'll renovate it.

I don't think that Luzideus is watching on this. He could defend himself or stop posting this nonsense. And, manossg, I agree. Someone, please, control this devil.

Have you noticed that many people's works are being sepulted to oblivion because of loads and loads of recent works?

Although it's pretty logic, the function "number of posts vrs. date" can only determine the activity of the member, not his/her knowledge or composing level (I asked about this long before). Anybody con be a teacher only if he/she consider their knowledge and/or wisdom is high enough to answer to the stundents in a very effective way.

The third movement of my "Mystic Lake Sonate, op.15", "Allegretto scherzando, giocoso, ma un poco sombrio". I don't have much to comment on this, except the ending sounds horrible on MIDI. Hope you enjoy and comments are welcome. Mystic Lake Sonata III.mid

I wouldn't mind to be a teacher as well as a student.

You should begin to post your pieces (arrangements or something else) one by one. Almost all the pieces I see when I check the "Keyboard Section" are somewhat yours. Another criticism: speeding up pieces don't make the better. It's best to hear playable pieces rather than impossible ones. At last, if you don't want to post your pieces here becuase of copyrights, fear nothing. Everyone here respect each other.

Not quite

By looking at the score, it looks pretty Chopin-esque. The text and idiomatic expression is really Chopin's (such as "sensa tempo", "smorzando") artistic work. The piece itself is interesting to look (the score), not so much to hear. The way everything is disposed in the score is wonderfully light, not difficult to read. As conclusion: Good job. I'd like to hear more pieces from you

I'd like to have some scores of him if you say his toccattas are good

I ask you the same, Exemos. I'm starting with atonal impresionst music. Does that count? Why do you need a opera, anyway?