Film Music Competition

Tenorman, I think that's fine. I have done that plenty, as a percussionist. Moving around like crazy is what we do, I'm sure you know that. :D

And to everyone else, I'd really wish you consult the thread, especially the first post, before you start asking questions, especially if it's how many alto saxes there are, as it is specifically stated in the first post, 2.

And, Nightengale, perhaps having the intent of just doing your best for the competition, and not setting on winning it, which can sometimes be two different things, would be more desirable. And plus, if you write a good solid composition, no matter how you deal with the instruments you don't like, you should have a good shot at winning anyway. This goes for everyone: Just try and do your best, this is not the end of the world composition competition!!!

This is not the end of the world composition competition!!!

I can't agree better with that! :shifty:

I can't agree better with that! :P

I can't agree with that... it is a matter of life an death :shifty:

J/k

i'll give it a shot. pretty limited ensemble but i'll try =D it's worth the experience.

Thanks for that wise bit of information, Nico.

I've added you, Xeraphine. Get crackin'! ;)

Thanks for the vote of confidence, Nico. :D

I myself am convinced though that everyone who's competing has a good chance; all fine composers who are sure to bring wonderful compositions up. Mine's done by the way, or very nearly so. :)

Count me in. I'll go compose it right now....

I wouldn't place on any bets who's going to win. I can be quite mean when it comes to judging :mellow: Glad to see many people taking part. The conductor is really pleased at the interest it's got. Still a week left for names though - please post the news around.

Ah sure, Nico, you should have a go (forget the film music thing, just write anything - you could be as laid back in saying that 'Morning' by Grieg would be film-orientated - it depicts something doesn't it?)

Thomas, I have a few questions and I should be done asking them.

1.) Is it ok if the piece goes over 10 minutes long by say... um, 8 seconds or so?

If played right it could end on exactly 10.

2.) As I stated before, do to frequent modulation (as I use in film style) my work may have alot of accidentals, but its a very slow work. This is Ok?

I just want to make sure none of these things are a problem before I enter a work.

Ah sure, Nico, you should have a go (forget the film music thing, just write anything - you could be as laid back in saying that 'Morning' by Grieg would be film-orientated - it depicts something doesn't it?)

You do realize that before Grieg got his hands on that piece and called it "morning" it was originally a part of Rossini's William Tell Overture.

Invisionary:

1. Fine, that's no problem.

2. Just as long as the accidentals go too crazy then you should be fine :)

Sean:

Had no idea - plagarism is everywhere. I think I've found a plagarist moment in Sibelius's 2nd Symphony (listen to the very beginning and then to the beginning of the Waldstein Sonata, Beethoven very slowly)

2. Just as long as the accidentals go too crazy then you should be fine :)

Would it be better to put in one key change after a short half measure rest (at a scence change), or should I just leave it in the original key and leave the accidentals? Would look nicer with just one small key change marking though.

Nothing Drastic. Like A minor to E minor (1 sharp).

No, leave it in the original key. Changing key signature often gets confusing.

2. Just as long as the accidentals go too crazy then you should be fine

My atrocious English: just as long as the accidentals don't go too crazy... :w00t:

2. Just as long as the accidentals go too crazy then you should be fine

My atrocious English: just as long as the accidentals don't go too crazy... :P

Lol.

Ok, the frequent accidentals is my only concern then, I hope they won't be a hinderance. :wub:

I don't mean to intrude here, but... ;)

You do realize that before Grieg got his hands on that piece and called it "morning" it was originally a part of Rossini's William Tell Overture.

For real!??

Has nobody even HEARD the William Tell Overture? I'll have to post it somewhere as my favorite operatic overture.

I'm new around here, but count me in.

Alright, Keith. Get crackin'!

Thanks, will do :D

Count me in!

K, go for it, Tumababa. Good luck!

Is it to late to sign up? I'll try if not... Yay, the front page says its not! I'll try then. -draws el musico blado- (thats fake spanish for all you who dont speak poser.)

No problem, Sorasen. There are 3 days left to sign up!

Hear that? Anyone who is interested can still join up!

Cool, just one question

Percussion, one player

What are the possibilities of this percussion player intrumentation wise?