January 31, 201115 yr Gosh! :o Literally the only thing that maybe I could give as constructive advice is that in measures where the woodwinds are repeating notes quickly, (like in measure 154), maybe you could make the staccato so that their repetition really stands out instead of sounding like it's held down. Or is that just a midi quirk that a real orchestra would take care of? Daniel, this is amazing! It's imaginative and not at all just a copy-paste ethnic piece. It's like a giant Aztec ritual opera :D I really love the power and loudness of it. Thanks for sharing, this is a real treat! :phones: Errrr.... also, I would "like" your piece, but the YC Network won't let me :blink:
January 31, 201115 yr Author Thanks for listening and commenting. yeah, I think I will add some accents for those notes in woodwinds. Giant Aztec Ritual Opera ? haha, would be great to make one of those, this is just a tone poem for "normal size" orchestra, Vivaldi wrote an opera about Moctezuma but, well, is Vivaldi... Of course you loved the loudness, I love it too, I didn't really understand what Jaap said :mellow:... I don't remember if I deleted it already, but at the end of my Opus 12, I wrote in the score "falling down the hall" :laugh:
February 2, 201115 yr Orale mano, pos esto esta bien chido :D Ejem. Ok. I'm impressed. This is gorgeous, I like it. Sorry for this too short comment, but this piece excess my knowledge. It's sounds very primitive sometimes, very mahlerian in other times. Thanks for sharing this. :happy:
February 3, 201115 yr Author Jajaja, chécate al final de este video, Timbiriche: Esta Despierto al 3:19 :laugh: Well, like Jason said, it has strong european influences like all my works, just this one has a fussion of european harmony with ethnic rhythms. I hope to have time to create a much better render with VSL I just got, to listen more like it really is. Glad you liked, Thanks for listening and commenting.