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This actually took a lot out of me because I worked really hard on it to the point I just didn't know how to extend it further but I think it sounds ok as a result.

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The ending?? What's that... it just cuts off. From a reasonably high point too. It feels like you didn't know how to end the piece.

Whenever E-flat∆7 comes in with that inversion it still sounds out of place, most noticeably in the beginning. There's never a V in here which if you introduced it after an establishment of E-flat∆7 could be cool, but it becomes awkward and flat.

You didn't take my advice about the whooshing sound effect at the beginning. It has pitch and collides awkwardly with the chord underneath it, since it's built not to resolve.

The buildup is good and its continuousness is pretty welcome but other orchestration changes in mood but not atmosphere could really accentuate that better.

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