Some Guy That writes Music Posted April 18, 2017 Share Posted April 18, 2017 (edited) I know 23-25 are a little off but I kinda got stuck into liking it. Also the submit is out of place, it is meant for the fortissimo Edited April 18, 2017 by Some Guy That writes Music MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu sdfghjy > next PDF sdfghjy Quote Link to comment Share on other sites More sharing options...
Monarcheon Posted April 21, 2017 Share Posted April 21, 2017 m. 3 - crossed voices are a bit awkward. m. 17 lacks a bit of the tension you want because there's no actual suspension there, even though I think that's what you were after. m. 20's passage uses a lot of fourths and fifths... how you use that info is up to you. m. 29 needs to be notated better... ties would help. I think you should also take bowings into account? There's just a lot of things that don't match up correctly. Throughout this thing you have a lot of second dissonances that you resolve interestingly, most often through hockets. This isn't bad and presents a unique way of doing but make sure it's what you want and it isn't done by accident. Cheers! Quote Link to comment Share on other sites More sharing options...
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