Jump to content

Recommended Posts

Hi, I have made a simple etude for arpeggios. Hope it helps the development of pianist out there.

I adjunt a PDF , MP3 of how iy sounds and an image of how the pedal of measure 34 to 46 should sound.

Don't expect so much is pretty simple, musically talking.

Pedal-1.thumb.png.1abe7154f199f36705e68bd3b4c43915.png

MP3
0:00
0:00
PDF

Share this post


Link to post
Share on other sites

Watch out for places like 17 where your octaves don't use the same accidentals.
Starting at 34 I enjoyed it a lot, though it could be far better engraved. 
I'm not totally in love with the left hand's melody. Sometimes I don't get it's function in some chords (i.e. m. 8, I see a G∆9 chord, but with the seventh on the bottom, which isn't a great voicing, even if that's what was intended). The rhythm also kind of has a weird momentum for it for me; it kind of push-and-pulls a lot, which isn't a bad thing necessarily, but it seems like it might be trying to be a tad too varied. 

Share this post


Link to post
Share on other sites

I, too, love the rhythms in the left hand. I'm not sure though that putting that rhythm with the ostinato arpeggios is a good match. The ostinato doesn't seem to accentuate or do anything to bring justice to the rhythm. 

Share this post


Link to post
Share on other sites
On 1/3/2020 at 4:39 PM, Monarcheon said:

Watch out for places like 17 where your octaves don't use the same accidentals.
Starting at 34 I enjoyed it a lot, though it could be far better engraved. 
I'm not totally in love with the left hand's melody. Sometimes I don't get it's function in some chords (i.e. m. 8, I see a G∆9 chord, but with the seventh on the bottom, which isn't a great voicing, even if that's what was intended). The rhythm also kind of has a weird momentum for it for me; it kind of push-and-pulls a lot, which isn't a bad thing necessarily, but it seems like it might be trying to be a tad too varied. 

 

Thanks for pointing that out :3.

Just now, jawoodruff said:

I, too, love the rhythms in the left hand. I'm not sure though that putting that rhythm with the ostinato arpeggios is a good match. The ostinato doesn't seem to accentuate or do anything to bring justice to the rhythm. 

 

what do you think that would be better?

Share this post


Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.


×
×
  • Create New...