December 18, 20223 yr s29: • It seems you have pretty much clear what you're looking for. It sounds good, tremolos, articulation, dynamics, pretty much everything fits. The coda was a little short to my taste but I liked it very much, congratulations man! s30: • I wonder, if you were making tremolos for example, here: why not using this notation instead? Or this one? Don't get me wrong, I am just curious. The piece was good though I liked the first one more; I think some more development of the material given couldn't have harmed. s31: • Nice begining, very! This one is in my humble opinion, superior to the prior two. Contrasts made —both dynamics-wise and instruments-wise— are very nice and don't interrupt the "flow" of the piece. While the first movement felt a bit "generic", this one follows a more original path while preserving the same good treatment (articulations, dynamics). The harmony of the whole piece is more or less limited but I suppose this is intended. • I am not a fan of the ending, but it doesn't displease me anyway, I just find it kind of lacking for a final movement ending but as long as you be fine with it, it is alright! Congrats. This is for me a successful, small, solid and brief symphony made for a (perhaps) early classical orchestra. Kind regards, Daniel–Ømicrón.
December 18, 20223 yr Nice work. I have two observations: 1. The balance, particularly one horn for a orchestra seems very little. 2. Exploring other textures. Almost all of the piece runs under an homophony texture.
December 18, 20223 yr Dear @hw1234, Actually you can do this! You can develop your materials and compose longer pieces! You should definitely try this in each of your composition! It's much more detailed here than in your piano pieces! Dynamics, articulation, and the harmony is more flowing here! You should add the details in your piano works too! I think maybe a F horn will be better for a piece in G major since you don't need to write that much sharps? Also it's more common in a classical style piece. Or do you want that particular E flat horn sound? Actually you know how to use tremolos, as shown in s29. @Omicronrg9's suggestion is great on s30 concerning the tremolo. @Luis Hernández 's suggestion is great. At least you can try to write some counter-themes for the accompaniments, instead of just chords. My favourite one is s31. It is more reasonable and I love that flute solo! Great job! Wish you write your pieces like these and better than these! Henry
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.