A Pleasant Diversion: prelude for orchestra

I've been in a pretty sunny musical mood lately (listening to a lot of Mozart) and came up with this prelude. 

It's a basic A-B-A with the B section being a minor mode variation from the A theme.

Hope you enjoy!

wonderful! this would work well as the introductory music to a feel-good Hollywood flick or some-such. maybe the orchestration could be a bit more adventurous? things kind of flow together undifferentiated but this is a minor complaint.

Very good in a classical vein. Looking through the score the orchestration is fine and suited to the work's style. I felt the rendering didn't do it full justice and wonder on what you composed it, a daw + notation software or just the notation software that rarely does the dynamics properly. However, that's a small point as the music gets through all right. The interplay of instruments was very well done as was the use of percussion. I presumed Glk was glockenspiel and that adds a bright touch (bar 34). Maybe the triangle should be allowed to ring out rather than sec  (bar 39 and on - just needs changing the note duration). That was very effective. 

I'd have liked a little more modulation and the ending seemed abrupt but that just my reaction. If you're happy with the work, you're the judge after all.

Great work.

Hi @BipolarComposer,

For sure this is a pleasant listening! The sunny but not all-traditional melody is enchanting.

The contrast in the middle section is good as well, though the imitation is a little bit forceful for me esp. with the parallel octaves btw. second violin and viola in b.46-48.

The return of th A section is very fascinating with the full orchestra! Wonderful!

I just hope the ending will be extended longer. The pizzicato ending is quite abrupt for me and I would like to have at least the previous semiquaver motion slow down to a quaver one before ending to prepare it. An aftermath by oboe, english horn and bassoon alone will be great as well!

Thanks for sharing Bryan! Lovely music!

Henry

Hey - this piece certainly bears the influence of Mozart quite clearly!  I think it's especially noticeable in the quite copious use of stepwise motion in the melodic lines.  But what I think makes your melodies sound somewhat less well conceived than a typical Mozart melody is that the highest note of each phrase seems to happen either at the beginning or the end of the phrase.  It makes it sound like you're ending each phrase like it's a question?  At least that's how I seem to justify this feeling I get from your melodies that they're wandering up and down the A major scale aimlessly.  No doubt every composer has their own habits of constructing what they believe to be a viable melody, and I think that in this case trying to imitate Mozart didn't do you any favors.  Although you did bring a certain unique and individual Bryan-ness to the table and this is quite far from a galant-classical styled piece.  I own a book titled "Become What You Are" by Alan Watts and the reason I mention that is because I hope to hear more of what makes Bryan unique and significant in future compositions!  Thanks for sharing.