Luis Hernández Posted June 4, 2023 Share Posted June 4, 2023 (edited) Back to the galant style, I wrote this Aria using only three patterns: the Romanesca, the Fenaroli... and one that is unpublished because I have "extracted" it myself from a progression that I like very much, and that I have called Le Temps. I also use a familiar theme (I think so). Concert pitch score. Edited June 4, 2023 by Luis Hernández MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu ARIA > next PDF ARIA 1 Quote Link to comment Share on other sites More sharing options...
PeterthePapercomPoser Posted June 5, 2023 Share Posted June 5, 2023 This is awesome! My favorite schema is actually the one you extracted - Le Temps. Where did you find this beautiful progression? I will refer to your works when I (someday hopefully) hope to study galant schema in as much depth as you have dedicated to them. The melodies in this piece have a very bittersweet melancholy mood to them that I love. Thanks for sharing! 1 Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted June 5, 2023 Author Share Posted June 5, 2023 @PeterthePapercomPoser I'm glad you like it. Le Temps!! wonderful and novel progression... It was created by Leo Ferré (1916-1993), a magnificent French singer-songwriter. The song is called "Avec le temps". This is the original version (there is one with video of him but here is the English translation). But I recommend Celin Dion's version, tribute to her husband... Touching. OF COURSE, THEY BOTH DID IT WONDERFULLY. MY PIECE IS JUST A SHADOW OF THEIRS.... 1 Quote Link to comment Share on other sites More sharing options...
Henry Ng Tsz Kiu Posted June 6, 2023 Share Posted June 6, 2023 Yes this is for sure beautiful stuff. Originally I think the opening Romanesca schema a bit off with the modulation to A# minor, but after a few repetitions it really makes sense and adds tragic colour and the bittersweet meet mentioned by Peter to the music. I love the half diminished seventh chord in the "Le Temp" schema as well. The half diminished 7th is always one of my favourite chord with its not so firm quality. Thanks for sharing! Henry Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted June 11, 2023 Author Share Posted June 11, 2023 This is how Le Temps is made (in Spanish and in English): https://komptools.blogspot.com/2023/06/le-temps.html Quote Link to comment Share on other sites More sharing options...
pateceramics Posted June 13, 2023 Share Posted June 13, 2023 Lovely! The combination of the thematic matter and your orchestration make this feel like the score to a French movie. If this was part of the soundtrack to "Amelie" it would feel right at home. I wasn't familiar with the song, but it's great! 1 Quote Link to comment Share on other sites More sharing options...
Luis Hernández Posted June 15, 2023 Author Share Posted June 15, 2023 (edited) YOUTUBE VERSION Edited June 15, 2023 by Luis Hernández Quote Link to comment Share on other sites More sharing options...
Aiwendil Posted June 16, 2023 Share Posted June 16, 2023 This is a delightful little piece. I like the synthesis of the sort of neo-baroque orchestration with a hint of "wrong note Romanticism" in the melodies. A particular favorite bit is the unusual orchestration of harpsichord and timpani at the beginning of the Fenaroli, m. 21. Quote Link to comment Share on other sites More sharing options...
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