November 23, 20241 yr Hello This is part of a series of pieces for strings. Totally inspired by Ärvo Pärt and the tintinnabuli technique.Whirlwind IV.pdf
November 27, 20241 yr Hi @Luis Hernández! It's an interesting technique always having to have at least one voice having to use only chord factors. Can you change the chord that you're arpeggiating midway through the piece or are you stuck in B minor? It does make for melancholy and affecting music. Thanks for sharing!
November 27, 20241 yr Author Hello Thank you for listening. The tintinnabuli technique (by Ärvo Pärt) usually develops the ENTIRE work on a triad and scale basis. Of course, you can do whatever you want and change the chord-scale. But as I am learning as deeply as possible this technique, I am following it ...
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