Chemathmusician0510 Posted March 4, 2025 Posted March 4, 2025 (edited) This is an arrangement I did for fun a while back. I added in some secondary minor dominant ninths from the original chord progression to add some color and changed the meter to 6/8. It's based on four-part choral writing with a lot of chromaticism. I used cubase to improve the sound quality from the earlier version on my channel. Critique is welcome! Edited March 4, 2025 by Chemathmusician0510 Quote
PeterthePapercomPoser Posted March 10, 2025 Posted March 10, 2025 Hello @Chemathmusician0510 and welcome to the forum! This a bit wonky or perhaps tipsy arrangement isn't bad! The only thing that bothers me is the unusual phrase lengths between measures 9 - 14. While the first phrase that starts the piece is a traditional 8 measure phrase, measures 9 - 14 are made up of a pair of 3 measure phrases which feel off-kilter. I think if each of those phrases was 4 measures long it would give the melody the space I long to hear but I don't know if that would work in this arrangement. I observe the piece to be made up of a mostly constantly progressing harmonic rhythm on every dotted quarter note - so maybe that is the reason why you kept going between measures 9 - 14 without pause. The same thing happens in measures 23 - 28 for the same reasons. The 2nd ending of the piece and the conclusion also have this quality. And the recording seems to be cut off too which is a shame. Either way, thanks for sharing this jig! 1 Quote
Chemathmusician0510 Posted March 10, 2025 Author Posted March 10, 2025 (edited) Thanks for the suggestion! I do usually do 4 or 8 bar phrases, but bars 9-14 and the endings I really couldn't find notes to prolong. Maybe the last note of the three bar phrases could be longer. Edited March 10, 2025 by Chemathmusician0510 1 Quote
Henry Ng Tsz Kiu Posted March 21, 2025 Posted March 21, 2025 Hello @Chemathmusician0510, This one is quite jazzy! On 3/10/2025 at 12:36 PM, Chemathmusician0510 said: but bars 9-14 and the endings I really couldn't find notes to prolong. Maybe the last note of the three bar phrases could be longer. For me, b.11-12 should be a step lower than b.9-10 to form a sequence and a 4 bar phrase. Then in the designated b.16 just a prolonged G would in G major chord will do! Thx for sharing! Henry 1 Quote
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