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Found 19 results

  1. My Arrangement of Ezio's Family from Assassins Creed.
  2. Hello everyone, I am back, this time I'm going to post a piano arrangement of a Christian hymn, hope you like it!
  3. This is the first time that I have arranged a Chopin piece. Not only that, but it is the first Chopin piece I ever played, so I am very familiar with this piece. I know, I need a countermelody or something along those lines for the first violin. But there is a bit of a problem stopping me from doing this. That is just how close the second violin gets in pitch to the flute. Typically, there is less than an octave of space between the second violin and the flute in any given beat. That doesn't allow for many countermelody notes if I want to keep things relatively consonant. And of course I want
  4. It may be November, but church musicians have been thinking about Christmas music for months! Ho-ho-ho!
  5. I know I accepted that challenge to arrange a Romantic Period symphony that isn't by Beethoven. However, I am finding it quite challenging to both get across the essence of the symphony and not get dangerously close to the original orchestra. In particular, I am finding woodwinds becoming of more importance to that essence. I guess I could resort to a quartet of pianists if I have to, but while I try to figure out both what symphony to arrange and what ensemble to arrange it for, I figured I would do another one of my expansion type arrangements, where I take a piece for a smaller ensemble and
  6. Hi all! So, another little arrangement of mine. I have written this for my quartet. And, I found it quite challenging to get the dissonance I wanted while really only having three non-melody voices to work with. I sort of went the amoeba route, where I had close harmony surrounding the melody. This is found in barbershop music, and there is some influence there. However, I tend to take things further than a barbershop quartet would allow, which I'm super chill with. Pay no heed to the difficulty of the music, as the people singing this are true musical paragons. It is probably one of
  7. Hello everyone! The last week I've worked on an arrangement of a folk/trad song. It's originally called "Have you seen the ghost of tom". I find the melody quite melancolic and in the first part of the piece I try to express that feeling. But later I tried to make it brighter and more heroic like "a toast to Tom!". Anyway, that was what I was thinking of making this piece. I had a great time making this one! Any feedback or criticism is appreciated?
  8. I am currently working on arranging some more Mozart sonatas since unlike Beethoven sonatas that seem to get me overwhelmed, Mozart sonatas never do that. A few people suggested that I shrink the quartet into a trio in my K 545 arrangement to get a more full sound. I didn't though because save for the second movement, where I would have to do some harmonizations, I saw and heard 4 melodic voices, 2 per hand in the sonata. However, I did find a sonata that Mozart wrote 4 years before his K 545 sonata that I figured would be perfect for a trio arrangement, his Piano Sonata in C minor, anot
  9. I composed a head and made a basic arrangement for the first play-through of the head. Here I did put in some written parts for piano and bass, though that was primarily so that I could hear what the trumpet and saxes were doing in something resembling the context in which it would be played. I'm mainly wondering how difficult this is for the saxes (are all those off-beat, short notes doable) and whether this is doable for a high school jazz ensemble. Additionally, I was wondering what you think of my harmonization and the melody and what others might have done differently. I have
  10. I was wondering if someone could give some tips on what instruments to boost the bass range of an orchestra, currently I am using EWQLSO and am somewhat limited on the range of certain instruments. Also wondering if they could direct me towards which instruments play which clefs in soprano, alto, tenor, bass.
  11. This is an arrangement that I have been thinking about doing since winter of last year. No, not because the Nutcracker Suite is common as Christmas music, but rather because the Nutcracker Suite is my favorite of Tchaikovsky's 3 famous suites. Instead of starting with the March as most piano arrangements do, I decided to start with the Overture. I couldn't find many piano arrangements that included this so I decided to go from the orchestral score and arrange it myself. But I ran into a difficulty after a while. No it isn't the clarinet part and me having to transpose it. No, it is the entranc
  12. This is an arrangement of the song "Merry Christmas Everyone" that I am doing for my school's steel orchestra, an example of which can be found here: https://youtu.be/p7RlAJn-Qxs
  13. Here's an arrangement of Crown Him With Many Crowns. I'm pretty new to orchestration, this is the first project with this many instruments that I've actually finished. So I'm very happy to hear any tips, suggestions, corrections. I'm definitely not finished with this so please feel free to comment anything you feel would make it better. Thanks! P.S. Sorry again for MIDI instead of MP3 Crown Him With Many Crowns -Rough Draft MIDI.mid
  14. I arranged this (with permission) from a piece a friend of mine wrote for solo piano.
  15. Arrangement of a piece by Ryuichi Sakamoto for large percussion ensemble... Check it out
  16. Here is my first in depth composition for string quartet (two violins, viola, and cello). I have some background in theory but only recently have been getting into actual composition. I'd love to hear feedback from some of you, as I want to get better and better at this. Thanks!
  17. hi It would be appreciated if u could have a Consultation. The question is the sequence of making an orchestral song with many instruments. For example I am working on my own song it has strings, contrabass, choirs and many instrument else. Ok? But now I am in Deadlock why? Because I am working in Sibelius and I want to add some ambient sounds need instruments like Chime and a very big cymbal. Here it has not. Now my result is Sibelius is not for all works I should write the parts only. I should not expect that I can make all of works by this software.But when u have an id
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