March 10Mar 10 Hello @Luis Hernández, I’m sorry, but today I’m writing only silly comments …. For the first moment I thought it were a piano exercise how to play a crescendo on a long, tied note and how to perform a tremolo just on a single note … 🤣 But no, its seriously! And your solution is a great example what can be done with orchestration if the underlying piece of music (or sketch) is well crafted! Thus it shows, that one should first compose the piece for piano (for example) or for a small ensemble before going to the full orchestration. (Unfortunately there was no score and reading from the video was a bit uncomfortable, since relatively small ...) Very enjoyed.
March 12Mar 12 Author  @Wieland Handke Apologies, I didn't think anyone would be interested in seeing the score. In any case, here it is. Edited March 12Mar 12 by Luis Hernández
2 hours ago2 hr Hello @Luis Hernández ,Thank you for the score! Yes, I’m interested in it and did download it, because it is such a small but great example. Since I’m usually focused on piano pieces, I’m not familiar with orchestration – especially with large ensembles. I only did some arrangements/orchestrations of my preludes and fugues, for example during the last two YCF competitions – which I very enjoyed.So, if there is the next such event, I think I’ll come back to your exercise using it as an inspiration how I could make my piano pieces sound in a larger ensemble. And since my preludes just have some more notes than only two – or better to say more than three, as our beloved Tristan correctly pointed out – it will be very helpful!
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