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Beethoven


Nigel

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I'm surprised some of you guys don't like the last movement of the ninth. It sums up the whole symphony! It starts at the very bottom: it is so sad! Despairing, really. Then, gradually, the basses and cellos build up and the rest of the orchestra comes in gradually and wow! Just wow! I also like the way the beginning rejects the other three movements: it's like it's saying, No: this is not the way to lead one's life! We must live in joy and happiness. I admit the movement is a little repetitive but it's brilliant and what he does with the theme is incredible.

I recognize that this movement is the kind of music that you either love or detest. I guess I just love it

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Guest Anders
..also like the way the beginning rejects the other three movements: it's like it's saying, No: this is not the way to lead one's life! We must live in joy and happiness.

I'm aware of this, and I respect the movement for that - I just thought it was pulled off poorly.

Nigel: I'll get back to you tomorrow.

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  • 4 weeks later...
Guest Anders

I spent the entire weekend burrowed in the sheets for Beethoven's 7th symphony. What a fascinating symphony. :) Might post some notes, an ''analysis'' and perhaps a listening guide later if anyone is interested..

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  • 11 months later...

Wow way to bring up a dead thread. But, since I am a Beethoven Addict, I shall bring new life by saying that Karajan's recordings are NOT horrible. Though, the London Classical Players' recording is the best that I have heard. Each movement is very clear and they use period instruments and actual tempo markings. However, I do prefer the 4th mov of symph 5 a little faster than what they take it as. The strings have a deep, rich sound and the brass have a penetrating, yet majestic sound. The winds are full, but the flute is a little bit bright. You should definitely get this set.!

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