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Found 3 results

  1. Hi! It's a big topic, but in general, how different is composing a symphony instead of for example a chorale harmonization piece? Do the same rules apply, just that different instruments have different restrictions/advantages? Or is it a hole new world of rules etc.? I appreciate any answers :nod: :D
  2. Hey Everyone, This has been a long time in the woodwork, but recently I discovered that out of everything (and there were a lot of possibilities), I really want to become a film composer. I was wondering if anyone has any tips/advice on how to go about it. I'm in a pretty small country (New Zealand), and I'm not so sure how helpful a three-year course would be in really equipping me for this (time, money, and where I am in the world - we travel a lot - are also considerations), and whether I'd actually get a job at the end of it. So I would really appreciate your insights and experience on this. So fire away! :) Cheers, and thank you very much in advance! KahliaSkye
  3. Maybe this is not the right place to ask this, because everyone here is a musician, but how do non-musicians listen to music? Do they really hear the accompaniment or do they only listen to the melody, what do they notice and what not, etc. The only things I have read before were the articles about song writing (how to make your song popular).
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