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Found 106 results

  1. Hello everyone ! I just wanted to rewrite and reorchestrate by ear this beautiful song from the game Death Stranding, composed by Ludvig Forssell. Let me know what you think about the arrangement, the mix or whatever you want ! Thanks for listenning :) https://www.youtube.com/watch?v=cwMf-NDW1ag
  2. Do you like this track , and why? https://100audio.com/en/download/1149181/
  3. Carlos Aguilar - The Kids (Piano Driven Dark Ambient Music)
  4. Good hour good folks! This is a very very crucial question for me, so thank you in advance. I went ahead and tested the interval ranking (list of intervals from most consonant to dissonant in form of ratios) by building a chord with the 3 most dissonant intervals within the ranking which are Tritone - ratio (23:16) Minor 2nd - ratio (15:16) Minor 7th - ratio (9:16) Image Description (Root to tritone - root to minor 2nd - root to minor 7th.) As seen in the image above, according to the interval ranking there is no chord more dissonant than this. Now, the testing.. In the image above, if i were to take the Minor 7th interval (A#) and reposition it to the note (D), the chord will have now become significantly more dissonant than in it's original position. This would disprove that my use of the interval ranking was correct, as the chord is now more dissonant. Maybe.. i positioned the most dissonant intervals all relative to the root as opposed to placing them relative to the note below each successive interval, so lets visualize this updated structure below. Image Description (Root to tritone - tritone to minor 2nd - minor 2nd to minor 7th.) As seen in the image above, the intervals are now structured not relative to the root but by consecutive notes. Again, the testing.. In the image above, If i again, take the minor 7th (F) and reposition it to (G#), the chord is now more dissonant than in its original "supposedly max dissonance" chord structure shown above. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------- "Question Section" Question 1. In my second image example, did i utilize the interval ranking adequately? When stacking intervals, do you use intervals based off the note before the successor note or do you stack intervals all relative solely to the root? Question 2. In my second image example, i used the most dissonant intervals available within the interval ranking but yet when i shifted the minor 7th (F) and re-positioned it to (G#), the chord was more dissonant. So my 2nd approach to stacking intervals still doesn't prove to work effectively. What is the process behind this and how should intervals be stacked in a chord? Question 3. If we reference the second image and and focus on the F# and G notes right beside each other, they're pretty dissonant. If i push the G up or down an octave and leave the F# where it is, now they aren't as dissonant. Is the reason for this because when the two notes are beside each other in the same octave, their waves are both traveling at a similar rate but when one note is brought up an octave, because the frequency of that note has been doubled, now the two notes waves line up more as the higher octave note is now traveling twice as fast as the note an octave below? Question 4. If i stack intervals as explained in my second image example, which is by selecting my desired interval ratios relative to the note previous to it in my chord as opposed to the root, do the successive notes after my new note play a direct role "interval relationship wise" with the previous notes or does it just boil down to the note before the new note? Let me elaborate.. If i have C and E (Major 3rd) and then add a G on top of that, the C to E is a Major 3rd and the E to G is Minor 3rd. But in that chord structure the C to G could be considered a Perfect 5th and now the G is no longer a Minor 3rd interval within the chord. Which is right and which is wrong? Especially when more notes are added, the intervals can have multiple perspectives. So the questions boils down to, do we only focus intervals relative to the note before the new note added? If not, it would be a mess. Thank you very much guys!
  5. Hello musician friends ! I'm all new on that forum, and I decided to share with you this little composition of mine which is orchestral with a bit of metal. I'm not very experienced as a composer since I started composing orchestral music 1year ago, only by ear and without any musical theory. ...And I started composing on Fl Studio 5 months ago. I hope you will like it, and do not hesitate to tell me what is good and what is not in my music ! I wish you all a nice day !
  6. Hello everybody, My name is Selma and I’m 16. I’m a french singer and I’m looking for someone who can produce for free a melody with lyrics already written. I would like a pop music enough fresh for a teen. Thanks for taking time to read this announce and maybe see you soon !
  7. This is a work for SATB Choir and Piano that I wrote in 2017 for a competition. It's a moving work, and I would love to see it performed someday.
  8. A small test of Cinematic Studio sounds. Only the harp is from the other library.
  9. Hello Everyone, Here's a piece I wrote recently that is on Spotify, a full 8-track album is to follow. I will up load the score to view soon. For now, let me know what you think. Thanks!
  10. Hi everyone. I'm new here. I would like to hear your thoughts about a music i composed as a trailer music concept. I'm open to your criticism or views as i could learn from your reaction towards the music. This is a link to the music. https://soundcloud.com/x-feel/self-realised
  11. Melody creator Looking for some inspiration to create or compose your own music, songs, or melodies? Melody Creator app quickly produces random original melodies for you to use, share or get inspired. Join the thousands of users who today use Melody Creator to inspire them to create their melodies. With Melody Creator you can: 1. Generate random melodies using a full three octave span 2. Select the scale of your melody 3. Playback functionality 4. Store your own generated melodies 5. Select among 17 rhythms, silence or metronome for each playback or melody 6. Generate a similar melody based on one you created 7. Select from 3 different ranges of randomness to generate your melodies (High randomness may involve abrupt changes in melody notes) 8. Configure the complexity in the generated melody (how simple or complex is the combination of notes within a bar) 9. Configure other preferences 10. Download saved melodies in wav format 11. Change between the piano, guitar and saxophone 12. Choose between 16, 32, 64 or 128 note melodies. When you select the melody that you like for your song you can purchase it at a very low cost in melody creator credits and you can: 1. View an animation of the notes playback or music sheet 2. Edit and change the melody 3. Playback the melody at different speeds 4. Share your melody with other people (they must have Melody Creator installed) 5. Change melody settings for each melody in your list Get Melody creator here, its free
  12. Hi, I'm a new member and I was hoping if someone could give me advice on how to start advancements towards learning music production and music theory on my own. I try to learn from Youtube videos, but I constantly have a hard time and I also have trouble evn finding hor having funds for equipment. Plus the little I may have, I just feel overwhelmed by it. I also love to write lyrics, but I have no clue how to even start a beat for it. Any suggestions?
  13. Hello everybody, Would it not be fantastic if Young Composers had its own special Magazine composed by the creative members of the forum? Since a few weeks I have been thinking about this idea. I already made a few magazines with the free program called Jilster (https://www.jilster.com/). The advantage of this program is that I (as a chief editor) can give specific pages to other people so that many people can work on one single magazine. The program is very ergonomic: I learned the things I needed to know in one hour of experimenting. Because the idea is still quite vage, I decided to schelude the magazine. This link leads you to the magazine in which you can see the topics I would like to include. https://jil.st/YoungComposersMagazinePreview Before I begin to write for this magazine, I would like to know if you would appreciate it. Could it be an valuable addition to the forum?I would also like to know if some of you are interested to help me. If you want to write about a topic that is not mentioned in this megazine scheme, do not be disappointed. I can give you several pages on which you can write about what you want. Furthermore, if you are interested send me a private message. I am very enthousiast, but of course we all have to be! Please be honest. Maarten *I know that not everybody has all free time to spend on writing and laying out the articles (including me), so there will not be a deadline. It is something extra and it has no priority.
  14. Hey guys, this is my first time on the forum. Just wanted to post some of my music and see where it takes me. This is my first solo piano EP that I've written, it is called distance makes the heart grow fonder and it depicts the feelings experienced by a couple who love each other, yet are separated for a while, starting with a piece depicting the farewell on the train station, then moving to a portrayal of the man experiencing loneliness but thinking fondly of his love "while watching the stars". The third piece is the central piece of the EP and is a melancholy love theme. The final piece is supposed to be a breathtaking depiction of when the eyes of the couple finally meet for the first time again and the bliss and relief of seeing each other again. Link to the EP on Spotify: Constructive criticism appreciated! Please let me know what you think. And if you like it, adding it to your library on Spotify would help me massively. Check out two of the pieces on YouTube as well: Thanks!
  15. This is an original composition by me Christian "Cj" Rhen featuring flute, clarinet, trumpet, violin, cello, and piano. This will be performed at various events and professionally recorded by me for competitions and college apps. Tell me what you think. Instagram is @wind_player1
  16. Hello, This is my first post on this website. I am a radiologist doctor in Thailand who really loves composing music. This song was originally written as slow ballad music sung in Thai language. Later I made this arranged version. I record this on Sonar. Love to hear your comment. PS. You can also check other works I compose on this soundcloud account! https://soundcloud.com/charat-chukiat/i-cant-forget-you
  17. Just a short, fun piece I wrote. https://youtu.be/i_g_6Rla2kA
  18. Here you can listen to my albums for free. Roberto Zini - Classical Essence - Spotify Roberto Zini - Classical Portraits - Spotify Roberto Zini - Classical Fruits - Spotify Roberto Zini - Classical Wonders - Spotify or Roberto Zini - Classical Essence - Deezer Roberto Zini - Classical Portraits - Deezer Roberto Zini - Classical Fruits - Deezer or Roberto Zini - Classical Essence - Youtube Music Roberto Zini - Classical Portraits - Youtube Music Roberto Zini - Classical Fruits - Youtube Music Roberto Zini - Classical Wonders - Youtube Music I hope you enjoy!
  19. New house track, hope you enjoy, this one is for the club, its progressive to an extent so stick with it i guess:) many thanks,
  20. Please listen to a composition I made today. Is for the main title of a 8bit game. It should be looped more times. It is a finale audio so don't expect a lot of quality of instruments. Any suggestion and comment are great 😄
  21. so im working on a new hip hop album, a collage of beats to just chill with. Here is a taster. https://soundcloud.com/codebreaker-68793702/the-radio-relish
  22. The title basically says it all. Suggest anything (tempo, instruments, style, etc.)
  23. I would really appreciate it, if I could get some critical feedback on this composition of mine as I want to submit it for higher music college studies. That being said, do you think this can be submitted as sample work in the first place? Everything was played and programmed by myself and no loops were used. Would definitely like some feedback on the tune, harmony, and mix etc. of this soundtrack, it would do me a big help. Thank you so much for your time, again, I really appreciate it!
  24. So this is a copy-style of post from Reddit called Change My View (CMV) where commenters are rewarded ∆ (delta, not major lol) for having some hand in changing the OP's mind about a certain subject. In this case, I'd like to explain myself. The more I learn about the intricacies of art, the history of art, and the processes of art as a growing medium, the bigger the gap I see between what humans really feel inside (emotions) and the art that is produced. This goes for any art, by the way. Music, visual art, and especially literature all fall under this. I encourage you to read this essay by T. S. Eliot for a a summing up of some of my feelings towards the subject: https://www.poetryfoundation.org/articles/69400/tradition-and-the-individual-talent In any case, even as music has had the entirety of time to develop, I don't think any person would be able to properly, 100% dictate the emotions they have within their art without some of it getting lost in the transfer process. In addition, your argument to this would be "why does this matter"... as in, even if it can't 100% convey what you feel, that's not reason enough to stop. I think it is. Basically, what's lost from the art-maker's lack of conveyance is filled in by the audience, diluting or sometimes even ruining the emotions you wanted to express. There are essentially very few cases where this has ever been the case (to make this the intention) so I see no reason why I push to express anything. I'll never cope with anything or work through things that pain me or express the happiness I feel of elation or love. So, please, change my view.
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