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Apparently its a "PHENOMENON"...........Im not the only one............My mother said it was a GIFT from God im an ex military child. and when we were Stationed at the American Air Base in Germany i was 5 years old, when i was lying on the floor listening to someone below, playing the Piano, i told my mother, that they were playing the wrong notes............she replied : " Well how would you know ? " https://en.wikipedia.org/wiki/Playing_by_ear .

That's fair.

Alex, I enjoyed the interesting harmonies; however, I felt the structure of the work to be a bit loose. I had difficulty following a coherent theme and I felt the work didn't have an arch to it to carry me through from the beginning to the end. Mark

Well then .... you do have an unique ability! Mark

"Yes, there is software that can take a audio melody and create music notation." Oh i had no idea that existed................... whats the point of it ? "I am very curious about the "System" you are using .... is it a special software/hardware program." Yes , Its a Pre-Alpha Prototype system, that's aimed at TV-Networks, for film-scores-adverts,Documentary's, etc "Because your posted score seems highly unusual" Highly Unusual ? .........................ha ha ....that's the story of my life ! I cant read music...........if i hear a song i like on the radio a couple of times...............i can play it . I luv the Big Budget Action-Film scores, and once iv created a Rendition of something it becomes second nature to create My Own Compositions, based on a specific......... "Sound"

Yes, there is software that can take a audio melody and create music notation. I am very curious about the "System" you are using .... is it a special software/hardware program. Because your posted score seems highly unusual. Mark

don't worry i am learning flute next year 😁

Hi to all musophiles! Just wanted to share my latest piano work, which was improvised around three chords. These were C major 7 sharp 11, E minor +6 +9, and B minor +9. The first two are from Howard Shore's score for "Lord of the Rings", and the last one is Ravel's favourite chord. I haven't put my phrasing slurs in yet; but it's otherwise maybe finished? Not sure if it's any good; or if I should just bin it? Have also included an earlier version (#34) that had an awkward passage one minute into the piece. I liked this material; but couldn't find a way to integrate it into the piece. It sounded rhythmically weird, no matter how hard I tried to make it work. Thanks for listening, Alex Chills #36.mp3Chills #34.mp3 Chills #40.pdf Chills #34.pdf

I tried my hands at writing another waltz. Death Waltz Audio.mp3 The Waltz of Death.pdf

Hi @Martynas123 ! I think the melody in this recording gets buried underneath the less important voices. It's important to balance the parts properly in the mixer or by using dynamics in order to bring out the most important aspects of the composition and relegate the less important parts to the background. With piano, in Musescore, the way I usually do this is by using multiple pianos and giving each individual piano its own dynamics/levels in the mixer. That gives me more control over parts I want to bring out in high relief above the background figurations and parts of the chord which shouldn't be as emphasized. Then of course you have to edit the playback file to make it look right for the PDF export, but for me at lease, it's worth the effort. Thanks for sharing!

Hi @Grant Weep ! Thank you for your feedback, and I am glad that you enjoyed the piece! I did consider extending the cadenza-like passage in measures 198-203, but ultimately, I needed to return to the main theme without making the transition too bland. That's a fair suggestion I will keep in mind in my future work – transitional passages are the hardest to manage in my opinion. Well, this section is actually a reprise of the slow A-flat major theme in E-flat major! I reused the melody in the coda to make it more memorable; otherwise, it would only be heard in the middle section. Hmm, that's a difficult question to answer. I can't really put it into words, as I wrote this from the deepest depths of my heart. All I wanted was something that sounded harmonious, would resonate with my listeners, and, most importantly, would feel great when performed. That has always been my philosophy of music composition. Thanks again for listening to my piece – I really appreciate it!

Im sorry i don't understand what you mean ? Unless your referring to some kind of software that Records audio, and then converts THAT AUDIO into a score composer ? Im not sure that such a program even exists ......that would surely be a breach of copyright ? This System creates any kind of compositions from the Ground Up You can tell that the "ORIGINAL Robcop2" composition below...........sounds completely Different.

Lovely sentimental work. I loved the bassoon solo in the beginning! Mark

Are you using software to transcribe the audio in to music notation? Mark

With respect to tempo/breathing etc. - the oboe part is NOT well thought out at all. You really need to learn about the strengths and limitations of instruments and players; whether you write for woodwinds, brass, strings or percussion. Best to talk to players and show them the score and learn from them. <ark

Edits have been made to the score, as I mentioned. Check it out if interested!!!

Not quiiiite that plugin. I simply use MuseSounds Pro which includes their own mixed version of some popular plugins, which they've partnered with to create exclusively for MuseScore Studio. They can be found in the MuseHub Application. -Unc

Ohhhh.... The Double -Barrel Big Guns !...very nice.....no wonder it sounds so good.......That will create alot of Inspiration

Thank you, Lithl. :) I have a few thoughts of something I want to add to this piece, despite finalizing it. (I also noticed some engraving errors I'd like to correct.) Stay tuned, if interested :) -Unc

Regarding playback sound, I use Nucleus / Audio Imperia Flute & Clarinet, MuseSounds Bassoon, and Spitfire LABS Reverberant Ribbons Intimate Piano. It's just utilization of VST3 plugins to get that realistic playback sound :) Thank you for your kind words. I have more I have thought I want to add to this piece. Stay tuned, if interested. :) -Unc

ʜᴇʟʟᴏ, ɪ ᴊᴜꜱᴛ ɢᴏᴛ ᴀ ɴᴇᴡ ɪᴅᴇᴀ ʙᴇᴄᴀᴜꜱᴇ ɪ ᴡᴀꜱ ᴀᴛ ꜱᴇᴀ ᴛʜᴇ ᴏᴛʜᴇʀ ᴅᴀʏ, ᴀɴᴅ ɪ ᴊᴜꜱᴛ ɢᴏᴛ ᴀɴ ɪᴅᴇᴀ ꜰᴏʀ ᴛʜᴇ ᴘɪᴀɴᴏ ᴘɪᴇᴄᴇ " ᴏᴄᴇᴀɴ". ɪ ɴᴇᴇᴅ ꜰᴇᴇᴅʙᴀᴄᴋ. (ℝ𝕖𝕔𝕠𝕣𝕕𝕖𝕕 𝕨𝕚𝕥𝕙 𝟙𝟠𝟚𝟞 𝔾𝕣𝕒𝕗 𝕡𝕚𝕒𝕟𝕠) Jura (Ocean).mp3 Jura (Ocean).pdf

From "The Occult" by Colin Wilson: And if you've gotten this far, thanks for reading!

Ah, thank you for teaching me a new concept @PeterthePapercomPoser . I always just thought of that chord in question as a special dominant chord that is just a half step above the actual dominant chord, so in my mind it was flat because I saw it as a C7 chord, if that makes sense :) I think I see the logic of having it as a A# now. It's kinda neat how depending on the genre, can be seen different ways. Sorry @Martynas123 !!

Just be carefull

What a Lovely little Doggy, immediately made me cry. I think some doggy's have a spirit that can be seen beyond the Fur The love they possess can be seen in certain characteristics , wagging their tale when they greet you excited about being taken for a walk, and of course Dinner-Time That kind of spirit can't be embodied by a mere human because its Far to PURE. Regarding this composition , i did previously say that your " Best is yet to come" And this is the first one, and the start of many more... perhaps your getting Guidance from someone, with the letter "A" ? --- The whole composition sounds like its being played by REAL people Because every Instrument sounds so REAL ! I dont know how you did this, but its BEAUTIFUL , just like Anna x