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  1. Hello there! It's been a while since I've checked here and posted something in this forum. Well, I have composed this sonatina recently (actually since December last year) which is my first attempt in romantic style. The first movement is a waltz in truncated sonata form inspired by a Chopin Waltz, the second movement is an intermezzo inspired by Brahms, and the 3rd movement is a ballad in hybrid sonata-rondo form which I'd also composed for a friend. Also inspired by Chopin, the 3rd movement main theme is perhaps familiar for those who had watched Gravity Falls, for I had actually adapted the theme for the piece. I hope you all will enjoy this piece, and any feedback is appreciated!
  2. Hello Everyone! This is my first full piece I ever made. I composed it a couple years ago, and I am still very proud of it and finally got to record myself playing it. I wrote it during my first very emotional struggle as a teenager. A very close friend had helped me get through it, help me feel some joy, and I am incredibly grateful for they're comfort and compassion. This piece is the result of that whole experience. Though it means so much to me, I hope you can find some value in it yourself! Let me know what you think down below, and I'd greatly appreciate any criticism, critique, or advice, as I am young composer interested in getting better at writing music and exploring the world of composers! Have a nice day! : D
  3. Hi again, ladies and gentlemen. After some time thinking about what to post I thought that instead of uploading another nocturne I might ask you for feedback on my most recent video instead. The piece it contains is not very recent, more or less a year old. It's precisely the piece that preceded my first accordion sonata and my first piano sonata. I won't say much about it. It's my third piano waltz, it's playable, and it's hopefully decent. But you judge! • Here is the PDF & MP3: Free sheet music : Rodríguez, Daniel-Omicrón - Obra Menor Nº40 - Vals Ahorcado (Piano solo) (free-scores.com) • Since now free-scores possibly requires registration, for those of you who don't want to go under that process, you'll be able to find the PDF here in the post (but I do recommend registrating though, it's a great site full of hidden gems like YC): 40 - Vals ahorcado.pdf Here's the youtube video created via Piano VFX, OpenShot and Paint.NET: As always, I'm open to any feedback, comment, impression, thought regarding the piece (though it's a bit old but I may always consider your thoughts for my next pieces) the video, a part of it, both, or whatever 🙂. See you in the forums!! Daniel–Ømicrón.
  4. This is the last work I finished before my computer sadly crashed (though hopefully I will have it back up an running soon). It is a simple melancholic waltz which uncharacteristic of me, I wrote very quickly (less than a week) and much of it away from the computer. I'm fan of the Eastern European Romantic composers and Dvorak in particular and this was in part influenced by his Slavonic Dances. I hope to add at least two other waltzes to compete a set of at least three.
  5. I recently completed this short showpiece I mostly wrote for myself. I'm going to be trying to arrange a live performance very soon, after I learn the part of course. For now all you have is Finale's rendering, but it should give you the idea. I'm not going after any particular composer's style, I'm just trying to write something that is simultaneously accessible, flashy and difficult, but also musically sophisticated. valse brilliante.pdf
  6. Here's a waltz I wrote as part of a collection I'm working on. Give me feedback please! This is the first piano piece I've ever put on here.
  7. These are my first waltzes that I wrote in 2017 over the course of two days. So they may be very close to each other in both character and condition, but still each will have its own little story.
  8. This is the scale here: C - D# - E - Fx - G# - B, which is a mix of C+ and B+.
  9. Well, this is my second week of the waltz challenge, it is pretty late because engineering is sucking mylife out and I dont have much time to compose :c. With this one I tried to get out of my comfort zone, I used extended harmony,some basic counterpoint and writting mostly in major which are some of the things that Im bad at. Hope you like it, any feedback is welcome.
  10. hello everyone, I am back, this is my new piece, hope you like it and welcome your commentation the video: https://www.bilibili.com/video/BV1LV411S7VX/
  11. Ever since I started composing, I've always been interesting in programmatic music – music that tells a story or represents an existing one. This waltz was inspired by Natasha Van Meer, a character from my favourite novel, 'Special Topics in Calamity Physics' by Marisha Pessl. This isn't strictly a programmatic piece in the sense of following the exact events of a story; it's more of an attempt to summarise the character in musical form. More details about that in the score's programme notes (but please feel free to listen without reading them!). As always, any feedback welcome!
  12. A waltz I composed several years ago, which was originally a piano piece until I reworked it for string orchestra earlier this year. I'm trying to evoke a specific mood with this one – something beautiful but dangerous, elegant and alluring yet simultaneously threatening. As always, any feedback is welcome!
  13. I wanted to dedicate a piece to a loved one, so I composed a waltz in piano. Then I met with an orchestra composer to help me orchestrate it. Please, I would love feedback from this community. It is full of people who can give me their PoV and tell me for example "Trumpets louder would sound better in this part; or make this section softer". It is composed of 4 waltzes. The pattern is: 1) D Major; 2) G Major; 3) D Major; 4) G Major; Coda) D Major Thank you so much!
  14. I decided recently to compose a Waltz, feedback greatly appreciated. Thanks🙂 Also, yes, the beginning is not a waltz.
  15. Hello & thanks for visiting! This is my latest piano waltz called "Paris". It's my second piece in my series of waltzes dedicated to famous cities. This time I tried to utilize more chromatic and dissonant elements in my composition and to vary the chord patterns more than in the previous waltz Op.4 No.1 "Vienna". It is a rather simple and short piece that has the following form: A - B - B' - C1 - C2 - A' - B - B' A: A quiet introduction theme in c minor B: Main theme in c minor B': A more dramatic and vivid variation of B C1: First intermediate theme in c minor C2: Second intermediate theme in C major that leads over to A' A': A more dramatic and vivid variation of the introduction theme A This piece was originally composed in a piano roll. Since I'm not a trained musician and it's my second attempt in writing sheet music I want to apologize for any mistakes in the score. Thank you for listening and I hope you enjoy! Feel free to comment!
  16. I have written a small classical waltz for the piano in G major. It goes through a few minor changes throughout the duration of the work. Please feel free to give me any criticism at all. I am looking to improving the work (possibly posting on this thread an improved version later). I will not describe my intentions because then it tells you what to imagine (same reason to why I do not name my compositions). Thank you for your time.
  17. This is my first real post here, and I thought I'd start with a simple little ternary waltz. Little Waltz in E-flat minor (2).mp3 Little Waltz in E-flat minor (2).pdf
  18. This is my first posting on this forum. This is the second piece of my waltzes suite, written in c# minor.. It's nicknamed "memories during quarantine". The opening part resembles resembles the thinker's current situation as he is mentally exhausted by the restrictions put upon him and the entire world. Then the person think's of the good times before these. To show that the waltz modulates into e major and back to c# to reach him in the current situation. Note:The Piece was made using Flat.io. It is inspired of Schubert's serenade and my favourite Chopin's nocturne and waltz in C# minor. hope you like it. Sheet music :https://flat.io/score/5eaff67af195803c68148ff5-waltzes-suitewaltz-in-c-minor
  19. A piece that a friend commissioned me to write. just a simple waltz that I wrote in a day. It's repetitive and relatively simple but yeah I hope you enjoy. It's in rondo form and is essentially me trying to be as unoriginal as possible and I think it is one of my best especially as I didn't think too much about it.
  20. This is the first Waltz I ever have composed. It's in a kinda oriental sphere written. Would love to hear your opinions 🙂 https://youtu.be/8EPBmkm0vos
  21. Well, this was my very first composition, I composed this when I was 14 and about to turn 15, I called this "waltz of the 13 days" or "vals de los 13 dias" in spanish, because I composed this in 13 days. When I first started hearing "classical" music, I liked a lo beethoven's sonata no.14, since it is in C# minor, it became my very favorite key since then, and also that's why my first composition is in such a "difficult key". In this composition I used the same harmonic scheme that pachelbel's canon in D major (I, V, VIm, IIIm,IV, I,) but transposed to C# minor. and adding a dominant before the tonic to avoid that plagal cadence (Im, V, bVI, bIII,IVm, V, Im) you'll see some asymmetric phrasing, constant modulations and a lot of sequencing in this composition. any comments are apreciated :3 , would be good if everyone post they very first composition.
  22. I had this idea come to mind a few days ago. What if I combine the Waltz and the Sonata into a single piece? Since I already wrote several sonatas, I figured I would emphasize the Waltz part of this piece by constantly having a waltz-like bassline. I have finished the exposition of this piece. I made the first theme be more scalar in nature and the second theme have more arpeggios to provide melodic contrast, since the bass couldn't really provide much contrast besides key, being a waltz and all that. For the transition, I started in F major and then went to C major and then went back and forth between C major and C minor until I finally resolved to Bb major for the second theme. What do you think of the waltz so far? I'm working on the development section right now. Somebody else, outside of this forum asked if I was writing a "waltz in the style of a sonata" or a "sonata in the style of a waltz" and I answered that I am writing a "waltz in the style of a sonata", thus the title of Valse Quasi una Sonata, which translates to Waltz almost like a Sonata. Valse Quasi una Sonata.mp3 Valse Quasi una Sonata.pdf
  23. Hi all! This here is my first attempt to write a waltz for piano and my first attempt to transcribe it into sheet music. This piece was composed in the piano roll of a DAW. Please excuse any mistakes or unprofessional parts in the score, since I am neither a piano player nor am trained in music Theory. It is my first waltz, so I tried to keep this piece simple and understandable. The structure of the piece is as follows: Short Intro - A - B - C - A' - D - B' - C - A'' A: A rather quiet presentation of the main theme B: A lively intermediate theme 😄 A dramatic theme in a minor (?) that develops into A' A': A louder, festive presentation of the main theme 😧 A development into B' B': A simple variation of B with a few more trills A'': The first 2/3 are from A', the last 1/3 is from A. Thank you for listening & I hope you enjoy! K.R. Alex 🙂
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