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  1. I present you my fantasia on the theme of the movie "Titanic". My piece is called "Titanic Rescue". It's written for two violins and piano. Most of the time violinists play in alternation, sometimes they duplicate one another and in the end they play different parts. I don't usually write like this, it was unexpected but necessary. Here is the story of my piece: All the passengers of Titanic are dancing. While the ship's crew is distracted by dancing people, somebody with a time machine appears out of nowhere. He is watching dancing passengers and is invisible to them. After some tim
  2. Hey, I have written some hymns and I have been trying to get them transcribed to sheet music in a Bach Chorlaes (SATB) style format. Here is a rough draft of the score and a midi file, if anyone can help, please send me a message in the chat. Lord Touch My Eyes.mid
  3. Hey, first song I am sharing here, I hope you enjoy and PLS feel free to give me some feedback. YT: https://youtu.be/l2XwqvFK540
  4. Hi, I am a young gospel piano player. I have written a few hymns(just choruses) that I would like sheet music for. I have a rough copy for 1 and a audio recording for the other two. I am looking for a more experienced composer who can either write the music for me and/or help me so I can do better on future compositions. Thank you in advance for your help. (If Interested I can send you the audio recordings and rough draft scores)
  5. Hi I like baroque suites, and the way the composers organized the dances in some sort of geographical classification: English Suite, French Suite, Italian Suite...... Why not a Spanish Suite? Is it possible. Some dances in those suites came from Spain: Folia, Sarabande, Passacaglia... I needed more dances with the Spanish flavor. Undoubtedly, many of them are touched by the flamenco "sound" or style. In fact, flamenco music developed in the 18th century, ...., no doubt it took its roots from much earlier, from Arabian and Mediterranean scales and from the Dorian mode in the Ancient G
  6. So this christmas I've been working in this small piano sonata that is based on the theme from @Ivan1791 All movements are directly or partially conected to the theme. The first movement is in sonata form and has the theme as subject A. The second movement has the theme as a baseline (4 times slower). The third has little motifs from the theme in the scherzo, and in the trio there is a fugue wich subject is based on the theme. Finally the finale is in theme and variations based on the theme. I hope you all enjoy and any feedback is welcomed!🙂
  7. This is my Soliloquy for Piano No. 14. It is my entry to the YC Fall 2020 Competition "Metamorphosis" and based on the theme of Takashi Yoshimatsu's, "Waltz of Rainbow Colored Roses", the second of his three waltzes. I have used the theme as a starting point and accompanied it and continued it in my personal style and original way.
  8. This is part of a set o pieces. In this case, these are my impressions about Nada (Nothing) as a state of mind, or experience... After being in a coma for three weeks this year.
  9. A year ago I wrote a miniature for piano, trying out a form of expression using a new harmonic language. I would love to know what you guys think. Feedback is welcome!
  10. This is the result of an art trade (or collab) I did with Michellle Walker (an artist who draws). The point of the piece is to describe some kind of mysterious and nostalgic atmosphere. (I have spent more time in this piece than what I'm willing to admit.) This piece is a bit experimental from a formal point of view. The idea was to set all the main motifs of the whole piece in very few measures (basically the introduction) and then develope them in some kind of improvisational style. So basically the consistency of the work comes from the constant use of these little elements and t
  11. I'm going to post all my piano compositions in chronological order. Numbers 7, 8, 11, 13 and 15 are the best ones in my opinion. 1.-Compositions from youth. (I wouldn't even call this music) 2.-Random piano piece. (Modern I guess) 3.-Variations on a theme (Second piece I show in the video)(Classical) 4.-Katyusha (Variations)(Romantic/Virtuoso) 5.-Musical experiment. (Modern) 6.-Portrait of a dahlia. (Modern) 7.-Memories. (Romantic with jazz) 8.
  12. Inspired in Evans and his harmonies (incomplete or rootless chords, chords by fourths, clusters...).
  13. Hi all and thanks for visiting my topic! This is my new cheerful and upbeat piano composition "Birthday Song" in C Major. At first, this song was meant to be a practise of some basic chord alternations, but it eventually ended up being a birthday present for my mother. The main melody came quickly to my mind when I was improvising on some chords in C major and I'm pretty sure that it is inspired by another famous melody. I just don't know which. If you know it, then please write it in a comment 🙂 . This piece was composed in a piano roll and it is possible that some chords are
  14. https://www.youtube.com/watch?v=AyIq_apZTZc&feature=youtu.be Aditya's new tune composition for review, not sure how to convert it to notes in pdf files
  15. One of my early piano pieces. I hadn't originally conceived it as such, but after I played it to my dad he mentioned that it sounds kind of Chinese (and I realised that it does use the pentatonic scale quite heavily) so I gave it this title. Just a fun light-hearted little piece. Feedback welcome! I'd be especially interested to know if anyone has comments on the way I change the thematic material when repeating it.
  16. It's been awhile since I've posted anything to the forum, let alone really been active. Life is like that sometime. This work was born out of my own quarantine after being tested positive for Covid-19. While not exactly the main influence over the work -I'm sure it adds a little to it. The 3rd movement is close to how I envision it. I'm working on a revision to make it sound more coherent and complete. I'm not too excited about the ending -I think the material can be expanded some more. Just got to find the right way to do it. I present you my 4th Piano Sonata. Hope you enjoy!
  17. Dear community, here are two short pieces I completed for solo piano. 1) Piece for Piano in F major, L1a https://youtu.be/FRlum_SaoSg 2) Piece for Piano in A minor, L2a https://youtu.be/SfvGUGrWroY The F major piece is a bit of a work out for the right hand. The first 4 bars are modelled after Bach's Prelude in C, Book 1 of WTC but with a harmonic modification in bar 3. Then of course I go off in my own direction. The right hand plays the harmony throughout with left hand having a sort of melody every so often. The A-minor piece is
  18. Hi everyone! First time posting one of my works here. This is a short piano piece I wrote several months ago for a friend, inspired largely by the rhythms of Latin American music. I'm pretty happy with how it turned out. I always aim to write music that takes the listener on a journey in some way or another, and I think I've achieved that with this piece (but would be happy to hear your thoughts). The Vexatious Venturer.pdf.
  19. One of my more 'serious' piano pieces. It's probably fairly obvious to any classical fans where I got my inspiration for it. I think I've still managed to give the piece its own distinct identity, though. I feel like this is one of my more technically accomplished pieces – but I'm sure there's still lots of room for improvement. Happy to hear anyone's thoughts!
  20. Hello everybody! As a pianist, I usually hear to performances of the piece I am preparing to have some references.Although my favourite pianist is Martha Argerich with no doubts, I try to keep open-minded to other pianists (famous or not) to have a bigger vision of the piece. Also, when I'm going to compose something, in particular, a sonata, for example, I listen to a lot of Mozart and Haydn sonatas so that I can encompass better the style. I'm curious to know if you have any musician as a reference or if you listen to several musicians when preparing a piece or when you want t
  21. Hello, fellow composers! This is my first topic and first submission for a review of one of my compositions and I'm very excited to share this with you. I work with pen and paper, using a piano for the most part, and only in the later stages of each section of sketchwork do I continue refining the sketches through the Dorico interface. I usually expect to record this with professional musicians in some way or another, so I never spend any time fiddling with the digital performance of the work, to be honest. Because of this, the performance is decidedly robotic, but it still manages t
  22. Not sure what to do during lockdown and quarantine, so I decided to write a new piece of music. As the title suggested, this piece involves both tragic and love, which can be hard to distinguish these two sometimes. Is it tragic or is it love ? I'll let you all decide hehe x
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