All Activity

@UncleRed99 I can understand some of the confusion. As this was created and submitted for this Halloween event, my original goal was to make a skeleton dance. I was explicit in conveying that in the title and the brief description of the work. For some context, yes, I did mean to use “Esultante” to convey a jubilee as you are hearing the music from this dance reach a close. We are hearing the music from this grand gala. However, what is “chaotic” to us is fun for them as the “DJ” or Host raises the energy to close the party. To your point about the articulation in the cello, there comes a point in performance practice where you find out that articulation markings also convey bowing information. There are multiple ways to play a staccato within the string family (on or off the string staccatos). The context of the works implies that they need to lift or bounce the bow off the string and attack for the slur with another, single-bow movement. In the context of the work, they will bounce between their C and G strings respectively. In terms of blurriness of the chromatic notes? Clarity and hearing each individual note is not the intention, as it is meant to convey a little “rush” or “wisp” motion into the downbeat(s). Thanks for the comments.

What's up my boy. We've already spoken about this score privately. But I have to comment here, as well! I didn't mention the enjoyment of your use of the bVI chords in your transitions. Very tasteful and well placed. Pacing of the piece is very well executed. Also pleased to hear at mm.33 you found a way to make the playback work in your favor. 😉 a couple things to point out, from my perspective though. Your use of the term "Esultante" I feel is misplaced in this score, as a whole. That section is more reminiscent of chaos rather than "exultant," "jubilant," or "elated" (which is the definition of that term, from what I recall) which is but a small gripe, but a gripe nonetheless lol I also am questioning playability in some areas for Violin and Cello. I'm not a strings player, however, I would imagine some of the rhythms used in the rhythmic sections, and even in a couple areas of the melodic sections for either instrument, while they'd be physically playable, might not sound as it's written with any amount of ease. Not to say that it's not possible with practice, but for example, the Cello part, when ending a phrase in it's rhythmic areas, they're playing an eighth note followed by a sixteenth note chromatic triplet: I fear that this would come out more "muddy" than well articulated for many players, specifically being played in the lower register. Though, this is not a "problem", moreso a technicality, if we're being fair. But I digress. lol You can see my scoring chart + average score below, to conclude my thoughts on the score. Thanks for sharing, and I'm glad you decided to join us here at YCF 😉 Great work, and I know you'll keep on writing so I don't need to tell you, twice xD Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 8 10 6 7 6 10 10 Average score: 8.125 😉

This one is most definitely "Halloween". The subtle use of that Gb Tritone / Cdim. chord suggestion in the piano, as a part of the eighth note phrases on the right hand staff really makes the listener get that uneasy feeling. Overall, I like this piece very much, and would even go as far as to say I'd like to see it performed live! I'm sorry that I don't have more to add in regards to this score, today. I'm strapped for time lately, trying to make rent, working around poor weather to make that happen. 😕 I'm attempting to comment on all the submissions for the competition, with something at least. I hope this will do 😅 Thanks for sharing! Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 8 10 7 5 6 10 10 7 Average score: 7.87 😉

This is about half of a new slower part of the piece. I’m not sure at the moment how to incorporate it in the piece or whether to make a separate movement. All feedback is appreciated

Yeah, it feels nice to have someone else notice those decisions. In all honesty, I did not realize the Viola never had the melody until I did the A-minor Modulation lol So, I tried a solo Viola part at the section, but I know if played live, it was going to get lost in the heavy texture at Forte. So, I doubled it with the Cello to support as the Piano was doing the bass pattern. Also, 100% correct on the enharmonic spelling in the Viola, it was purely for voice-leading purposes versus trying to imply a different harmonic function. Thanks for the comment! 🙂

Yo Vince my babe! I listen to this piece twice and I am gonna say that I think this is the best piece in the competition so far (of course @ferrum.wav still hasn't submitted his piece lol). The opening itself is already very captivating. The Reich-like repeating figure in the piano scares my 💩 out, and it gives me some Messiaen vibe too from his Quartet of the End Time. It reminds me very much of the rehearsal mark D of the 2nd mov of the work: The octatonic notes really captures the anxious mood well. The Glissando in b.13 intensifies the tendency of my 💩 to burst out from my ass, b.21 even more so, and I absolutely love the polyrhythm in b.20. Even though this section sounds very effective in portraying the horrible mood, structurally it's very tight with motivic usage and you have your materials under your control! The sabbath dance is even more wonderful. It reminds me of Bee's 6/8 fast section in his Grosse Fuge but with Halloween touch. I love the very low register you use for the piano right at the beginning as the unsettle bass of a dance. I would interpret the opening motive a motivic extension from the opening with wider intervallic usage. The melody in b.56 violin, despite sounding in a complety different context and mood, derives from the beginning bar, which shows how organized this work is despite its wonderful mood creation. And while I am typing this sentence the music turns to the contrasting section in b.64, which is another wonderful section with the subito p. The piano melody, harmonics in violin and viola, as well as the pizzicato cello (which the melody comes from the beginning of this section, b.46), combinied together creates a wonderfully eerie timbre. Wonderful development till b.90. And when I think the climax will come, you suddenly tone it down, have the piano playing the melody here, and add a wonderful counterpoint with a jazzy touch in b.96. This struggle between lightness and grotesque really enhance the drama of the work, just like the film ＂It was just an accident" I watched where the director added comedy touch to enhance the tragedy of the whole film. The polyrhythm, use of the high register of violin and cello and piano, very reasonable development of materials in this section is wonderful to listen to. After the slight "rest" in b.112 which resembles b.68, another great development follows with more instensified imitations and answering of motives in b.119,and after reaching the climax it moves fluently to the A' section in b.136 with a quicker tempo. The polyrhythm here is even more complicated and wonderful. Within the general mood of the piece, even the "normal" C major sounding in b.154 sounds weird. I love the sadness you reach in b.166 (in my favourite C sharp minor!). It doesn't sound out of context at all as it follows fluently from passages before! Next is the section in b.171. The transition to it with mood and tempo change is so coherent, and now it's the shortening of the motive with just the minor second left with octatonic key influence. I have nothing to say in this section given how you develop the climax in b.231, and then.... a random pause? Where do you learn the idea from haha!!!?? The ending is wonderful reminiscence of the beginning as well! I would give this piece the 1st place from all the pieces available now, given how wonderful this piece is from mood, treatment and development of materials, timbre, rhythm, structure... It's just so perfect itself and with the eerie elements in it it just adds as a bonus as a competition piece of a Halloween competition. You are too kind, it should be -100/10 as it's "so below" lol! Thx for sharing this wonderful music to us!!!!! Henry

@Henry Ng Tsz Kiu Some of favorite composers are Chopin, Brahms,Tchaikovsky, Malher, Ravel, Debussy, and of course...we can not leave behind holts and others. So i want combine romanticism with modern harmony with traditional form. A real perfomace is not real in cards right now. But I am working towards that.

Hello @MK_Piano! I like the dark opening with all low registers from the strings! You mention Mozart in your programme notes. That G-A-B-C motive definitely reminds me of the opening of his D minor Piano Concerto K 466, as well as Beethoven's op.111 first movement. I like this light hearted dance, and the cello melody in b.13 which would later be reused in the Doloroso part. I like the B minor and nepolitan Db major chord in the Doloroso section, as it makes the music more unsettling, combining with the triplets, and it would be great if there are more polyrhythms here, like the one in b.43 to make the music rhythmically more unsettling! Personally I would want the Doloroso section develops a bit more as I feel like the modulation to F minor is a bit too early for me. But this is subjective in my part! For b.56 I may just write the viola part as Ab-Db to show the nepolitan chord, but I know that your G#-C# would like to show the upward resolve, as well as preventing a natural sign in the next bar's D so it's ok too. The modulation to A minor at the end makes the music brighter and I like how you vary the texture to get the music more exciting till the end! The ensemble writing here is almost perfect. One thing I would hope for is that you will give viola a chance to play the melody in solo! I always like its distinctive timbre as it doesn't get too stressed in its high register like cello, nor too hard in notes normally played by violin's G string. Thx for joining the forum and the competition! Henry

Hi @Kvothe! i quite like the pantonal opening, and the waltz at end is quite nice, mixing Tchaikovsky with some eerie touch. I actually feel a bit sad the rendition doesn't capture the col legno sound well enough! It will definiely sound much better with real instruments and create the ghostly mood. For me the piece can definitely be developed more extendedly, just like @UncleRed99 said. The ending sounds incomplete to me, as the whole waltz is a 16+8 structure. First you can definitely extend the 8 bar phrase to a 16 bar one, and you can add some contrasting sections within the waltz, possibly from materials in the pantonal to extend it a bit more. The opening for me can also extends longer for a more haunting mood portrayal. Second is the smoothness of different sections. There are 3 sections in the piece: the opening mysterious pantonal section, and then the 6/8 section, and then the waltz. Each of the sections sound isolated with each other and the transition, apart from the good col legno transition in b.41-44, sounds less smooth in b.17-18. I would suggest you at least add one more section to incorporate all of these presented materials together for a more completed synthesis and development of the piece! Thx for joining the competition and sharing your piece! Henry

Here is @Dima's submission to the competition!

My fault, already fixed it

Exactly, my apologies! Already fixed

me too! Maybe @Dima you have to change the access right for your link in Google drive! Henry

@Dima I can't access your links - it says access is denied.

https://drive.google.com/file/d/1t5TAfYhss_0AJAAgphRT7k-0usiaMLK7/view?usp=drivesdk https://drive.google.com/file/d/1PFLvXBrd4z0xsdPFV2V7vS0dVS73yJT3/view?usp=drivesdk Hello! There is my work. It uses our national dance song and opens its dark side of angry and mindless dance

I don’t write in score, as I’m not too great at scoring. I’m working on scoring this out, but it will take a while.

Entry: American Cryptids Average score: 9.5 (very good) Review: Each movement captures the character of Cryptiad! Execution: the competition was to write a 3-7 minute piece with a sweet spot of 5. This a multimovement work. However, it is scored solo strings. And it is quartet. Score/Playability: There were some minor details. But...maybe, submit each movement seperately. 9.5. Originality: Definitely original 10 Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 10 10 10 9.5 9.5 8 9

Hey thanks for checking it out! I'm glad you liked it, I was definitely going for horror movie vibes 😄 Wow, thanks for taking the time to give such an extensive review! It's pretty tough coming up with numbers, especially ranking them amongst others. It's also nice to hear what you think of my work in a structured detailed way... makes it easy to figure out how I can improve by taking advice into consideration. We can thank Peter for that haha. Thanks again! Hey thanks Cosmia, and welcome. You can always share your thoughts, it's encouraged! 😄 Have you posted any music yet? Be sure to so we can check it out 🙂 wanna see a bad one? yeah......I forgot to put the accel. to 240...... To explain, my version is slightly different than what I posted. I had to do some quick maths to change the tempo on each eighth note for 3 measures to get Sibelius to play it back as correctly as it's allowed to be. Whoops Ah, guess I could've explained that. It's a play on "as above, so below" and demons being fallen angels. Thanks for all the kind words, too! 😄

Hii, I had to say I really like this submission! It's so very fitting of the actual theme of halloween as a festival, reminds me a lot of dungeon synth genre and pixel art video game music. I love how the melodies intertwine and there is a constant flow that's being developed as well as the factural changes (from 1 instrument to many). I can definitely hear this going on in the background of a halloween party, keep it up! ^^

20247637.mp3 Sagai Go (Reprise).pdf I have reworked this piece since I last shared it, a few months ago. Sort of at a loss for what to do next, so I've been going over some older scores, correcting mistakes, improving harmonies and adding sections in places where it felt lacking. This score in particular, I had always felt was missing something; like the last section into the outro was rushed. So I added in a section between there to smooth out the transition into the outro, and have also changed the key of the score. I think it came out quite beautifully. I wasn't very scrutinizing to it for much else other than it's flow. If there are other mistakes that I missed, please feel free to call em' out 🙂

Entry: Piano quintet in G sharp minor Review: The metrical stress of the composition switches between pattern 2, 3, and 5. The meter in the composition are 4/8. 3/4, 6/8, and 5/4/. These meters have different stress pattern and feel different. It would wise to either stay the 8th is division: 4/8, 6/8, and 5/8 or switch to 2/4. 3/4, and 5/4. Furthermore, it is hard to know where half point of each measure is. In some measures, there are two 8th notes rests that can easily be a quarter rest, or two 16th rest that should be 8th rest. That would make easier to read in the piano part. In rehearsal H: you are implying both 2/4 and 4/8. It is hard to know what meter you are using. I could not follow that section... Overall, in both score presentation and playability this will be score 6 for the reasons explained. The overall landscape of the piece was polyphonic, and it used atonal methods: possibly set class and others(?). This will be score be 9 The execution of a sonata form Exposition-Dev-Recap was well done. 10 There were well crafted themes, motives, and melodic materials 10 (also for creativity). This entry meet requirements of competition 10. It was done well 10 Melodies Themes Motives Harmony Chords Textures Form Development Structure Time Originality Creativity Score Presentation Instrumentation Orchestration Playability Execution of Given Challenge Taste 10 9 10 10 6 6 10 10 Average score: 8.8 Above Average/Good

And @Micah has posted their submission as well!