Leaderboard

Could be for a game or a movie idk. maybe this fits more in a movie. This is in piano but I hope you can imagine it as an orchestral cinematic piece like I do. Just not really experienced in arranging orchestral intruments. Maybe Ill do it in the future. I think this is considered a scottish or irish style correct me if i'm wrong. Would love to hear your thoughts. https://on.soundcloud.com/8rUORnL2KJFhPd1P1h The mistakes in the start are intentional.

This one was intended as a kind of character piece. Honestly, I was watching the new season of Wednesday Addams and the music from the show inspired this. LoL There's dynamics in this that hopefully a Clavichord would be better able to perform. Thanks to @Alex Weidmann for his input about how to get the Violin to play classic phrasing rather than portamento! I would appreciate any kind of feedback, comment, critique, suggestion or observation that you may have. Thanks for listening and I hope that you enjoy!

Trio In A Minor For Violin, Clarinet, And Guitar-1 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Trio In A Minor For Violin, Clarinet, And Guitar-2 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight Trio In A Minor For Violin, Clarinet, and Guitar-3 Free Sheet Music by Robert C. Fox for Various Instruments | Noteflight ...and a joke piece... Birds Like Minor Thirds-Interval Teaching Catch Free Sheet Music by W.A. Mozart, transcribed by Robert Fox, and the birds. for Various Instruments | Noteflight

This small piece started after i wrote first bars and i liked the outcome. I noticed that i can make up a whole composition from it. It is played by clarinet with some added echo. I don't have sheet for it at the moment. Duration 2:07

Thanks! there are like two mistakes before the bass comes in but it's kinda lowkey.. Yeah maybe it could benefit from a change of rhythm in the bass. I kinda like that it sounds simple in the piano version but surely as an orchestral piece it would be more serious and complex.

This is so unique in such a familiar format. I see see this representing a chaotic character for sure! And I don't think you're using microtones here but for some reason it sounds like you are lol. Very fun to listen to, and great job at keeping it interesting throughout.

Hi all 🙂 On vacation doing little treks in the eastern Vosges mountains in France, I profited by my late afternoon free times to give a first try at a woodwind quartet. Here's the result study. I merely structured it as A B ... A B 🙂 and there are one or two harmonic attempts in it. Regards

Sounds great at least for as much as what the title suggests. Jewish influence?

Also some description of Variation 3: It's in 3/4. Tempo will be a metric modulation: the quarter note will be the same length as the 8th note from the 2nd variation.

Hello my friend @PeterthePapercomPoser Thank you so much for your attention. You are totally right. Schubert and Schumann are the composers who influences me most. But in general all my compositions my goal is to create my own voice through my influences. Also my sonatas in Binary form is where I think my own voice shine. Inspired from scarlatti sonatas I put also and my other influences. Mozart , schubert etc . So my goal is to write as many I can . Ill try to post some of them today and Ill be glad for you to check it. Yes I play all my compositions . I have pianoteq8 plugin so I record myself through garageband 🙂 Thank you so much again and I'm glad that you like my little bagatelle 🙂

A soundtrack idea of mine for exploring a haunted abandoned theme park where the ghosts have unfinished business (probably related to the theme park being abandoned) and you're looking for clues to uncover the story of the theme park... This is mostly a piano rendition, although I imagine the song having organs and strings. But I haven't gotten around to doing it yet... https://soundcloud.com/sheeye/remainders-of-the-fun-we-had?ref=clipboard&p=a&c=1&si=79ddede14a264ba09c51b5f61e3a2635&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Edit: Full instruments version: https://soundcloud.com/sheeye/remainders-of-the-fun-we-had-1?ref=clipboard&p=a&c=1&si=1f755d42d956498ab5e09c14594f9a8b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Hi! thanks for the reply. I kind of am but with the two instruments at the start i tried to give the illusion one of the instrument's melody's was different than it actually was.

Hi @therealAJGS! This sounds really spooky and unnerving because of the harmony. It seems like maybe you are combining sounds without really any regard for what harmonies they might create together. The harmony is what makes the mood/vibe of the song what it's meant to be, not the instruments or the samples. It does sound kinda ambient though with the high reverb. Thanks for sharing!

Hi @shirz! I didn't hear any mistakes in the beginning. I definitely can imagine it orchestrated and it kinda reminds me of the epic and heroic main theme from Chrono Trigger that plays after the title screen. Although I think in an orchestration, there should be some kind of change of texture to give the ear a break from the constant bass notes. Leaving some parts out at strategic places for a pause would give a welcome relief. Great job and thanks for sharing!

Hello @Vasilis Michael and welcome to the forum! There is a Schubertian or maybe Schumannian quaintness to this bagatelle! It is classical/early romantic through and through. The harmony is always bringing variety and seamless transitions. And it sounds like you played this yourself! From your YT channel I can see that you already have upwards of 50 piano compositions - it's quite modest of you to introduce us to your music through only one composition, and perhaps such a brief one in comparison to the others! Do you perform all your other compositions as well? Great job and thanks for sharing!

Well, you might not want to hear my WW Qt movement from college, but I could revisit the form; perhaps add a guitar...

I didn't say that! I said it appealed to me more the more I listened to it over and over. That's still true. I do hear that theme now, when listening for it. The theme is actually quite easy to follow! But what perhaps detracts from the theme is that the material in between the statements of the theme doesn't seem related to the theme (and doesn't seem to be a development of the theme). Also, when the theme first comes in in bar 9, the ostinato seems to take center stage and all the attention while the theme is relegated to the background. But now that I listen for it, the theme is quite lucid and tuneful! But don't get me wrong - I thoroughly enjoyed this composition and even more so now that you've helped me notice the theme!