To be honest, I had to quickly look up the Bible to make sure which verse John 14:6 is—yes, that's right.
You have a mission and used a rock-song to spread the gospel – possibly reaching people who are not familiar with classical music.
For me – considering me being a religious person, too – I prefer the quieter approach, meaning that an oratorio like Haendel’s Messiah or Bach's Christmas Oratorio touches me more than every sermon. Thus the YCF 2025 Christmas event is the perfect place to share pieces reminding to the birth of Christ, as many submissions with their carols, pastorals, motettes etc. are.
Concerning the piece, I don’t want to reiterate the discussion about using AI. Yes, I must admit that I’m impressed of the result one can achieve by the usage of, for example, Suno. It sounds „perfect“ and will appeal to those whose tastes it suits.
Just one quote:
Since I’m relatively new on the Young Composers Forum, too, I have learned (I think this is correct) that the purpose of the forum is not only to share submissions, but to review them and give feedback, which is what each of us composers wants and needs. Thus, reaching a rank of or beyond an „Elite Composer“ is not necessarily depending on posting numerous outstanding works, but also on consistently and patiently listening to the submitted works and providing insightful and polite feedback. I can assure you that everyone can trust that shortly after a publication, there will be feedback from the “hosts” or “moderators”, especially @Henry Ng Tsz Kiu and @PeterthePapercomPoser, even if no one else bothers to review the piece.
And stating that the „service by clicking a button“ is a bit poor in comparison with those spending dozens of hours in composing, arranging, engraving etc. should not be considered as „blasphemy“, but is due to the heated debate surrounding the use of AI.