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Mooravioli last won the day on August 9
Mooravioli had the most liked content!
About Mooravioli

Profile Information
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Gender
Male
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Location
Thailand
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Interests
Editing, Video Games, Movies, Cooking, Food
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Favorite Composers
Tchaikovsky, Mozart, Ravel, Schubert, Chopin
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Mooravioli's Achievements
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My First Ensemble Piece Ever Recorded - Any Thoughts?
Mooravioli replied to Mooravioli's topic in Chamber Music
peter, It is unfortunate to hear that this work did not appeal to you much(sad trumpet noises*). I think I actually did a lot to include the main theme in much of my work: the melody from m. 9 reappears in m. 30, m. 44 and m. 48(as an inversion). The B section itself is based on the same theme, while the C slap-tongue section utilizes a different material. I guess the theme isn’t as easy to follow since it has a quirky meter and twists + turns. Thank you for commenting on my use of extended techniques tho, always good to exploit my performers fullest potential(apart from the percussion). -
Mooravioli started following Debussy orchestration (Footsteps in the Snow) , Symphonic Fantasy on 8 Themes from Final Fantasy VI - Scherzo , Microtonal Violin Sonatina in B and 2 others
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Hello Peter, A masterful work which integrates many unique and lovely textures, as well as colorful dissonances. I especially liked the string quartet variation, which I thought was quite original of you to include. Although the piece remains in e minor for much of its duration(apart from the later variations), I feel there are so many distinguishing features in the compositional process that shift the focus away from modulation, and I must say that this is not easy to do(as a composer who relies too much on modulation). With this, you are building a really interesting, modal harmonic language. I also admire the way you've woven the different themes together to create a rich, dense texture. I do think it would be a nice contrast if we could have a clear melodic line/homophonic idea in order to introduce a specific theme. Hey.. its just an idea. But I am also surprised you're not using microtones in this piece because to me, its probably a part of your style at this point. 🥴
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Microtonal Violin Sonatina in B
Mooravioli replied to PeterthePapercomPoser's topic in Chamber Music
hello peter, long time no see, I can see you are really delving into your experimental side. You’ve also managed to incorporate artificial harmonics and sul ponticello into your short piece, which comes across quite well. My only gripe is the main theme itself, while memorable I think there should be a lead in into the second phrase, as to maintain its momentum. great job making full use of the resources musescore has to offer. I am excited to hear how you develop your individual voice, as you dig deeper into complicated musical techniques. -
My First Ensemble Piece Ever Recorded - Any Thoughts?
Mooravioli replied to Mooravioli's topic in Chamber Music
hey @Marius_, thank you for your detailed comment, brother. I appreciate your comments on harmony since I am attempting to explore a new language in this work. Naturally, sounding authentically jazz is still out of the question since I am only mildly familiar with this genre. As for the improvisation bit, I’ve had the chance to work with the performers themselves, and suggested that they add a few grace notes/rhythmic alterations to the existing melody. This is probably more appropriate considering they are classical musicians, who aren’t as well versed in improv. A few ppl have told me to change the sax instrumentation to tenor saxophone. When I have the time, I will definitely give it a try in muse and change it to concert pitch too! thanks again. -
My First Ensemble Piece Ever Recorded - Any Thoughts?
Mooravioli replied to Mooravioli's topic in Chamber Music
hey man @therealAJGS, thank you so much for your kind comment. I’ve just replied to you on youtube as well. -
Hello Everybody, It has been another long while since I've posted but I've definitely been composing during my time away. This is a work written for a 2-week composition festival I attended, lots of great opportunities and people when I was there. The festival is called the "ICEBERG Institute"(https://www.icebergnewmusic.com/about) if you're interested. Anyways, hope to hear your thoughts on this piece in regards to harmony, melody and rhythm. I am trying to work in a new(jazz?) idiom and I'm not sure how it sounds to others. Thank you for the support
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Henry, I apologize for taking so long to reply to another great piece of yours. After many repeated listenings, this is clearly a programmatic piece in my opinion. There is anguish, anxiety and a false sense of repose. The juxtaposition between light and heavy themes, minor and major works effectively to convey the message of your piece. I have a few reservations about the random pauses that come after the blues. I feel they interrupt the flow at times, and as for the blues itself I think the f double sharp in the theme would sound better if it were changed to a g sharp. Those are just my thoughts tho; the climax and the aftermath of it is quite well done. I am glad you were able to find peace and transcendence in your sextet.
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Debussy orchestration (Footsteps in the Snow)
Mooravioli replied to Alex Weidmann's topic in Orchestral and Large Ensemble
An Incredible orchestral landscape. I think you captured the loneliness of the piece quite well; the pedal effects are achieved naturally by the sustaining quality of the winds and strings. Just keep in mind, those triple and quadruple pianos may be hard to project, if you get a real ensemble to play your piece. It’s interesting to hear how differently you’ve approached this prelude as compared to another recent orchestration: Of course, I also hear similarities but I do really prefer your choice of instruments. There seems to be more drama and depth of feeling. -
are these appropriate for children?
Mooravioli replied to Mooravioli's topic in Piano Music, Solo Keyboard
Hello Vince, Thank you truly for your kind reply. I am glad you were able to find a few notable things from my endeavors. You know, I would also do the same if I were a composition teacher; there seems to be a new demand for good-quality beginning-intermediate pieces since the current repertoire, in that area, is not very good. It would be nice to encourage composers to explore pieces/styles for new learners. Hope to keep you updated with new pieces. -
are these appropriate for children?
Mooravioli replied to Mooravioli's topic in Piano Music, Solo Keyboard
Hello Aw Ke, Thank you so much for your sub, brotha. Happy you are supporting my new channel. I definitely agree with both of your points, there are quite a few unmanageable chords in the third piece, especially for children. I'll try to simplify it more when I get it performed by other ppl, though, to me, it seems a little strange to have the Ossia be a simplified version of the original. Should I correct the original and have the Ossia be the harder version? -
are these appropriate for children?
Mooravioli replied to Mooravioli's topic in Piano Music, Solo Keyboard
Hello Alex, Thank you truly, I am so glad you enjoyed the pieces. Ravel is definitely one of my favourite composers so it isn't surprising his harmonic language influenced me. stay tuned for more works. -
Mooravioli started following Image in G major and Death (Setting of WB Yeats' poem)
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Performing this piece at my university concert
Mooravioli replied to Mooravioli's topic in Piano Music, Solo Keyboard
Update: Live Performance + Score of this piece: -
are these appropriate for children?
Mooravioli replied to Mooravioli's topic in Piano Music, Solo Keyboard
Henry, very fascinating, there seems to a wide range of musical tastes among people I know, since my friend back home said his favorite poem was no 2. I think poem 1 is perhaps the least satirical although it is in a more traditional vein. As of now, I am not sure which style to choose to preserve my compositional voice. Thank you for your comment, as always. -
henry ng, this here is a wonderful work. Thank you for giving me a preview of this work before posting. I feel you have taken a lot of inspiration from native themes and folklore of HK; this is a promising new direction in your style as a composer. I love the tranquility of the atmosphere, juxtaposition of the neapolitan harmony, and usage of 4ths and 2nds. I have to agree with darachmiad that the main melody is quite catchy, a little bit bluesy too. Sort of reminds me of music from my home country, but perhaps because I am homesick too. Barely have anything to critique, looking forward to hearing more works. I truly think you are now building your own 1. originality 2. style and 3. uniqueness.