Vasilis Michael

“It is a very difficult topic for me since I have so many beloved concertos. Especially when I have to choose among so many that Mozart wrote. I consider Mozart and Beethoven to be the top, but I certainly also have some from the Romantic composers that I adore. I will definitely include 2 or 3 by Mozart. And the ones I don’t include, I feel like I will be doing them an injustice, but what can I do—I have to choose some.” 1. Μοzart Piano concerto no 25 K503 . ( This is seriously my personal favorite piece in general, i cant describe what that concerto means for me ) 2. Mozart Piano concerto no 24 K491 3. Mozart Piano concerto no 17 K453 4. Beethoven Piano concerto no 4 5. Ok here i have to choose and one of the romantic era that is my favorite and this concerto is Brahms piano concerto no 2 PS: “Ah, if only Schubert had written a piano concerto. How much I would have loved that.”

I really love this. Some harmonies are so interesting and gave very special timbre and atmosphere to the whole prelude. Well done my dear friend. I really enjoyed it

Thank you so much for your wonderful words my dear friend. I'm so happy that you like it and appreciated it. I did my best with the whole Sonata. Thanks again for your wonderful words. 🙏🙏🙏🙏🙏

“Greetings, dear composers. And with this Allegro, my second sonata is complete, and I am very happy and satisfied with the entire work. This movement is like etude of modulations, but I believe I have refined it well enough for everything to sound natural and have the right balance. I hope you like it.”

“Parallel fifths are allowed as long as there is a reason. There are moments when, to give a different timbre and texture and make a difference, it’s enough to truly justify it. Nothing is forbidden; otherwise, our horizons would never expand.”

Thank you so much my dear Friend. I really appreciate your attention and Im so glad that you like it 🙏

Thank you so much as always my dear Henry. Your attention and appreciation always matters a lot. The trio is my favourite. Is the most schubertian thing I ever wrote

Hello my dear composers. Here my 3rd movement of my Piano sonata no 2. A Menuetto with Trio . I hope you like it

Thank you so much my dear Henry. The andante came natural to me and I think I'm more than pleased. Thank you so much for your appreciation and your attention as always . Warm greetings to you

Here my 2nd movement of my Piano sonata no 2. I hope you like it.

This is so amazing. Is like everything around me stops and suddenly I teleported to the woods. Amazing piece of music. Thank you so much

Greetings, dear Henry. Thank you very much, my dear, for your attention, and I’m very glad you liked it. Basically, it reminds me more of his early sonatas, and regarding the structure, I chose to follow this model because it’s my first attempt, and I wanted to take a somewhat more traditional approach. Yes, in the recapitulation, I think Mozart was the first to attempt moving to the subdominant, although I’m not sure if Haydn did the same. But yes, we all remember the K.545 sonata for that particular detail. On the other hand, Schubert does this repeatedly — in quite a few of his sonatas, especially in the early ones. I’ll try to put the same effort and passion into the other movements of the sonata as well. Once again, thank you for your appreciation.

Greetings, my dear friends. Here I present to you the first movement of the classical sonata I am currently composing. I’ve set aside the binary sonatas for now and decided to focus on the classical form. This is my second sonata, and this time my source of inspiration is my beloved Schubert. I believe that, for a first attempt, I did quite well—at least for this movement. I hope you enjoy it.

Don’t worry about it at all — and I didn’t take it the wrong way whatsoever. On the contrary, I really want to know how another musician perceives something from a different perspective than my own. Everything you said has a solid basis, and when those ideas make musical sense, they’re absolutely valid. Thank you again! I’d be very happy if you checked out my channel and listened to some of my other works — it would really mean a lot to me.

First of all, thank you so much for taking the time and care to listen to my work so attentively — I truly feel grateful for that. I’m really glad you liked it and appreciated the effort I put into it. Also, thank you very much for your feedback. If you’d like, I can share my own perspective on the points you mentioned. At 2:40, since there was a modulation to B major with the initial theme — and because of its nature, it didn’t really lead anywhere — the only way forward was through a series of modulations, starting with C-sharp minor. Then somehow, in a dynamic way, I had to wage a sort of “battle” of modulations to find my way back to the tonic. From my point of view, that section is actually one of my favorites; it just felt like it needed to happen that way. At 2:49, I wanted to keep that drone note more as a timbral element and to add a more dramatic texture due to the constant alternation between major and minor. From a technical standpoint, you could say it’s nothing particularly special — it’s really more about the color I wanted to convey. In general, I truly enjoy hearing everyone’s perspective and how each person approaches the piece with their own unique viewpoint — it’s very interesting. Once again, thank you, my friend, for your kind words and appreciation. Wishing you all the best!