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Found 3 results

  1. This document is intended to introduce the basic of baroque and classical figured bass, and to visualize the rules of its harmonization by examples with comments below (if needed). -- FURTHER INFO IN THE DOCUMENT --Figured Bass Harmonization.pdf Thank you for reading! Bests!
  2. Hi Although I write mainly for the piano, sometimes I like to do other little things. This is a short piece harmonized in two different ways: Version 01: with chord notes (thirds, sevenths, etc...) Version 02: with fourths and sevenths (and doubling the lead voice)
  3. Reading about harmonizing a melody, I have come across the idea that we don't need to change the chords a lot. One author has even said that a chord may not change for several bars. Another has advocated changing the chords during strong beats. I would like to know how we can stay in the same chord if the notes in the melody are always changing and a chord gives us access to only 3-4 of those notes most of the time? Are we supposed to limit ourselves to these 3-4 notes in the composition of additional parts that accompany the melody? And what about notes in the melody that are out of these 3-4 notes? Are they acceptable?
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