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Traurigkeit, for Violin and Piano

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I wrote this piece last semester and was to get it played at a concert. The recording is great in terms of quality, there are some mistakes in the playing however (like always :D)

About the piece: The title is german for Sorrow, and the piece is typically the story of the emotion and all things encompassing it. It's written in a bitonal fashion, meaning two different keys/chords are being expressed at the same time in both parts (either different hands in the piano or the violin and piano together). Eitherway, I hope you guys enjoy it, I consider this to be my first major piece! Thanks for listening.

02 Traurigkeit - Live - eSnips, share anything

(theres also a clip of me playing bassoon if you're interested haha!)

I don't really like modern music. And to be totally honest, I am usually very mono tonal in taste.

But this was a nice piece, it is probably one of the best examples of contemporary styled music that i have found on this site.

But please post a score! I want to play through it.

  • Author

thanks for the comments it means a lot; here's the score- i can only get the violin score to show correctly the pdf converter messes up the piano part for some reason

traurigkeit.pdf

It's very impressive both technically and musically. The only complaint I have, is the piece seemed to stop and start quite a bit. I personally prefer a continous flow, but it is a personal preference. The ending also seemed a bit sudden, but again personal preference.

You are obviously quite knowledgeable and this is a technically impressive piece, and but it still retains a lot of emotion, which is sometimes lost in more modern music.

I am always amazed at how performers can play this stuff in tune, it has to be hard to hear.

How do you write a piece in two keys?

  • Author

Ya, all 20th century (ish) music is hard to play so I was thankful to get a skilled violinist- but about the two keys thing, I like to think of it more as one sonority with two triads emphasized. For instance sometimes, I will have c minor being played in the violin with g major in the piano, it makes for a very interesting sound and color. This is what I pretty much did through the whole piece, messing with different "sonorities" and harmonies to give it that distinct sound of sorrow. I do understand your comment about the continuous flow, but before this piece I had a problem with writing too much so my teacher suggested adding rests to give the listeners time to absorb what they were hearing and what not. Just a preference I guess, thanks for your comments though.

I can't seem to be able to open it! :(

  • 1 month later...

its sad i cant see the piano score :(

but either way i love it!

very expressive composition, great feel. i loved some bold and beautiful chord progressions i heard in many places. great harmony handling throughout and inspired lyric character. this music sounds alive, has a soul! congrats! :thumbsup::thumbsup::thumbsup:

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