Sequence #17b

YAY! I got another work done. I feel so happy. This is one of the very rare cases where I look at my old work (in this case sequence #17) and add more/change it. I like this because it is, as usual, a duet form but with many variations and a key change from a 7th :O I am so proud of myself :D YAY :DPlease comment and listen to my other pieces as well :) (HI CJ :D)

Hi Daniel! (And I guess CJ too! haha)

This is a nice work here! A few spots sounded odd in terms of harmony, like the tritone (A nat. and E flat) going to F and B flat. Now, I'm NOT SOMEONE WHO LOVES TRADITIONAL HARMONY! However, in this case, I think it would work better overall.

Just a few minor issues, but I like this piece.

Nice work! Thanks for posting :)

Heckel

@ Heckel:

Thanks Perhaps I should sustain those notes... I will see what I can do

HAHA I HEAR SEVENTHS AGAIN nice!! i like how there's melody lines going in both flutes maybe you can add more passing notes (like UN or LN HAHAHA) so that the transitions can be more close-knitted. just a suggestion overall it's still a nice short little piece hopefully you can continue to expand on your ideas

-CJ

HAHA I HEAR SEVENTHS AGAIN nice!! i like how there's melody lines going in both flutes maybe you can add more passing notes (like UN or LN HAHAHA) so that the transitions can be more close-knitted. just a suggestion overall it's still a nice short little piece hopefully you can continue to expand on your ideas

-CJ

Thank you CJ Ok, I will see what I can do. Can anybody tell me a little bit about accompaniment? I am thinking about writing a solo tenor piece (for myself HAHAHAHAHA). And I really need a accompaniment. From there perhaps I will try to experiment with accompaniment. Thanks again Cj

hmm what kind of accompaniment would you like? piano? orchestra? or others? depend on what works well with your vocal part.

but the piano can be an orchestra reduction though.

@CJ - piano first, because it is usually the basis for a lot of other opportunities.

you can add more passing notes (like UN or LN HAHAHA).

You remembered your theory lesson! :happy:

Daniel- I can help you with that too! What kind of a piece would this be? (i.e tonal, atonal, a rondo, waltz, etc.)

As for the piano part itself- Would you want it to be mainly chordal harmony (in which case you could use a string orchestra, which works well for those sorts of things) or would it actaully have pianistic elements and have melody parts and such?

Heckel