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Adagio for a 2nd mvt piano concerto


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It's classical in nature, but not quite just in terms of the chord structure.
You seem to be in a rush to add new ways to make the progression pop, harmonically and technique-based (like adding new counter melodies or timbral interpretations). I know it's technically normal but it really stands out in this composition for me. I'm not sure why. Maybe it's due to the somewhat sectional nature of the piece? It also happens with the harmonic progression; it's fairly looking for new ways to advance when I don't think it always has to.
It is still a nice movement, but a little too sectional and horizontally focused, perhaps.
Good job!

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Hi Baccouri,

That is a very pretty and quite melancholy melody you have, but as ilv said, I can't imagine why there's no left hand, especially since it part of a concerto which traditionally is show the virtuosity of both the player and the instrument.  Are you planning to add a left hand or was it always meant to be as it is, and if so, I wonder what your motivation might be?

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Hey Mark101 !

Adding a left hand to the piano is in my plans however i won't do it imediately because I have a lot of work in this period. But, more i hear my composition more I think that I 'll let it like it is. This lack of lefthand is not so shocking finaly... it is ?

Thank youfor your comment ;)

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