Op106 Nr2

this is the piece I newly composed, hope everyone like it.

m. 8, G vs. G#
m. 16 - 17, leading tone resolves up half step in classical theory, which this seems to be.
m. 21,why the double stroke?
Section 2, a key change to E minor would help performers.
m. 82, awkward return to D minor.
m. 100, awkward.
m. 112, need to designate if l'istesso tempo or not.
m. 112, slur by 4, not 8.
m. 125, fix it. Poorly mixed non chord tones.
m. 191, i vs. V?
m. 196, unjustified use of double stops; not dramatic enough, and really unnecessarily hard.
m. 232, awkward.
add a rall. at the end, probably. 
The increasing intensity of the main theme is interesting but you repeat the main theme a bit too much, especially since this deviates from rondo form already.