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  1. F. Adebiyi - Piano Sonata No.3 in G# minor https://youtu.be/pZyRqg9jTA8 All feedback welcome.
  2. Hi, I've composed a sketch of a mazurka, it's in progress at the moment, so please let me know if the harmony or melody could be improved. What do you think of the orchestration of solo piano? Attached are the pdf and midi files. Thank you, DoYourDailyDuo Mazurka.mid
  3. Hi everyone! I finished this mockup of one of my favourite soundtracks today. Thought I'd share it with you. It's the main theme from the film Schindler's List composed by John Wiliams. I did it mainly to work on my midi mockup and mixing skills. I aimed for a sound as realistic to a real orchestra as possible. I also tried to make the sound a little "vintage" and not so hyped as you can hear in a lot of today's film music. Hope you'll enjoy. Any feedback is appreciated!
  4. Here the link to the albums: Sinfonia di Perle Music Power Musica Pianistica I hope you enjoy.
  5. Hi, I wrote this little nocturne a while ago and would be thankful to hear what you think about it. I have also made a youtube score video, please follow the link provided below. https://www.youtube.com/watch?v=_v_yiDuJQMA
  6. Fuga a 3 in g minor.mp3I recently have been reading and working through Jacob IJzerman's "Harmony, Counterpoint, Partimento" which I highly recommend, and I was inspired to write some short 3-voice fugues, mostly just to see if I could write them convincingly. Here's one of them. I scored it for flute oboe and bassoon so that the different parts could be heard easily.
  7. This is my second attempt at a divertimento in the classical style. It's meant to be a light and enjoyable work for a small string ensemble (I tried to make it possible for either a quartet or a larger section). I'm primarily doing these divertimentos as exercises in improving my four-part writing. One of the unifying factors between the movements is a consistent emphasis on weak beats throughout the piece, although I may have gotten a bit carried away with this aspect. I also sneaked a few bVII chords in to a couple of the movements. Let me know what you think! Thanks for listening.
  8. https://www.youtube.com/watch?v=AyIq_apZTZc&feature=youtu.be Aditya's new tune composition for review, not sure how to convert it to notes in pdf files
  9. Hi everyone! I am a 17 year old composer looking to improve and share my music! I love creating music and leaving my footprint on the musical world :). After a brief hiatus and a sudden burst of inspiration, I completed the second movement of my biggest (yet) composition project - a suite made as an hommage to minimalism. This is turning out to be some of the coolest music I have ever written, and the most proud I have been of my own music yet. If you have not heard the first movement - Groove in 5/8 - yet, check it out on my profile! I hope you enjoy "Amongst the Ocean on a Speedy Sailboat"! Let me know your thoughts, criticisms, and what you imagine when listening to it, as well as your favorite parts!
  10. Hello! Here is a new piano sonata allegro movement that I've written during the pandemic. I'd welcome any feedback you might have. 🙂 Dan
  11. Hello everybody, i am new here! My name is Leonardo and i am 17 years old, i am a young composer looking for some feedback! https://www.youtube.com/watch?v=V5zGgmj1ilY I would like to share this with you, hopefully you have some time left in your day and you could take a look at it! It took me 6 months to make. If you want you can comment under the video or on this site, does not really matter! Let me know what you think 🙂
  12. First of all I will show the corrected version of the piece, right here: It is scored for 1 flute, 2 oboes, 2 clarinets, 2 bassons, 2 high horns in C, 2 trumpets in C, timpani (C,G,D,A), and strings. The compositiong plays around themes exposed in a sort exposition. The tonal travel is C-->G for the exposition then Cm-->Abm-->A-->F-->Bb-->(Gm-->Bbm-->C#m-->Em)x2 and finally the reexposition in C major. The movement is in sonata form, but is has some surprises. If you have any feedback please leave a comment. Version with mistakes:
  13. Hello, I play piano since 10 years with a teacher and I try to learn composition by myself. I read some books about harmony, it is a bit hard for me. I think I will try to learn counterpoint soon. This is a very short and simple piece I composed to practice : https://www.youtube.com/watch?v=KEWll4yVbRg I am very impressed by the quality of the works in this forum. I am posting here because I am searching for some advices to progress and learn how to compose more elaborated pieces. Please excuse my mistakes of english, I am french. Thank you
  14. I have written a small classical waltz for the piano in G major. It goes through a few minor changes throughout the duration of the work. Please feel free to give me any criticism at all. I am looking to improving the work (possibly posting on this thread an improved version later). I will not describe my intentions because then it tells you what to imagine (same reason to why I do not name my compositions). Thank you for your time.
  15. This is an updated version of a concert overture I wrote in CPE style (mostly Classical Era style, with a bit of Romantic flair, and an ending that veers wildly into other territory) a few years back. I fixed a few mistakes in the score and added a better sound file. All comments and criticisms are welcome! I hope you enjoy it. Thanks for listening.
  16. Here is my new piece, a Piano Chamberto (Chamber concerto), for Piano, Oboe, Clarinet, Horn and Bassoon. This has been a long project, my most ambitious piece to-date in terms of complexity - I'm really glad to have finished it at last! 🙂 The goal was to use a format similar to Classical-era Piano concertos, but with a reduced set of instruments. Please let me know what you think! Dan
  17. Academic Music A server for analyzing and sharing compositions of others or your own, discussing music theory or instrument/voice technique, and asking questions about classical music. We provide a hub of ideas and discussion with the hopes of providing sophisticated feedback to make skillful and confident musicians. Please share this server to any fellow musicians you know! Features -A community of over 1400 musically inclined people and professional musicians -Free classroom-style lectures on topics in music theory -Channels for each instrument category, and vocalists -Channels for posting your or others' pieces for analysis and feedback -Active music theory education and experimentation -Discussion about the history and cultural context of classical music from the Middle Ages to now https://discord.gg/sjpwcjv
  18. Hi, It has been a few weeks since I have posted some of my own content. I have been asked to write a piece for Organ by a friend of mine who intends to play it at a local church. I have completed drafts of the other two movements although I need to add a bassline. Once that is complete I will upload to the thread. The Allegro is mostly finished; I am just completing the recap and reviewing some of the harmonies. The Bass part in the development section and towards the end of the exposition is intended to be more interesting than that at present; I usually produce a simple harmonic draft to indicate which notes I should emphasize and what not. I will say that the harmony in the development section is uncharacteristically "adventurous" against my track record, however I suppose pushing the boundaries is how we learn best. The focus at the moment is providing a bridge between the first subject and the second subject during the recapitulation. Of course, I cannot replicate what I did in the exposition as I would modulate to D. The second subject must be played in the tonic key in line with sonata form and from what I understand, composers simply added some new material for what would be the transition, modulating instead to the subdominant before ending with a dominant chord, or tonic of the home key.
  19. Prelude III: This prelude is more of a meditation, similar to prelude 1 -however, this is non-serial. The basis is the left hand arpeggiation pattern. Hope you enjoy! Prelude IV: This prelude, comprised of only 4 notes, is a theme and set of variations on the opening 2 bars. I tried to keep interest. Still tinkering with musescore -so some of the articulation marks at the ending are incomplete. I'll add those later. Hope you enjoy!
  20. Hey all, I am working on a collection of small pieces, preferably 5, based on short stories (hence the name). I made a rough draft of the first one and was wondering if it was an idea worth continuing. Any comments would be helpful! (Just added multiphonics to the trumpet part, anyone know if the part is playable/ how it would sound in real life?) https://musescore.com/user/20408661/scores/5815887 Thank you!
  21. Dear all, I would like you to write the series of traditional orchestral film music score-styled albums and conduct as well. I suggest we stick to seven albums and that would be enough. And they are: After the Rain - in the style of lush and romantic Maurice Jarre with a slow opening and slow ending (16 tracks) (Piano solos included) Sad Memory - in the style of mournful and emotional Elmer Bernstein with a slow opening and slow ending (16 tracks) (Piano solos included) War on Terror - 9/11 and the Iraq War - in the style of action-packed, dramatic, mournful and emotional James Horner with a slow opening and slow ending (32 tracks) (Piano and trumpet solos included) The Places Between - in the style of lush and romantic John Barry with a slow opening and slow ending (16 tracks) (Piano and harmonica solos included) Golda - in the style of lush, softer and dramatic Georges Delerue with a slow opening and slow ending (32 tracks) (Piano solos included) Friends and Lovers - in the style of lush and romantic Marvin Hamlisch with a slow opening and slow ending (16 tracks) (Piano, tenor sax and harmonica solos included) Notes of the Noblewoman - in the style of haunting and softer Wojciech Kilar with a slow opening and slow ending (32 tracks) (Piano and cello solos included) This will begin ASAP and when it's done I would like you to record each album elsewhere with the live orchestra and group of soloists in Los Angeles starting from next year. Please apply if you are interested. Sincerely, Lwazi Nkiwane
  22. https://drive.google.com/file/d/1-Xs1G5fupIjZPYNOiLDBoq7EijalRdUI/view?usp=sharing Recording on the way hopefully.
  23. Hi all, this is my first post here. Was hoping for some feedback on this latest attempt at putting the whole orchestra to work: Peace -Rob
  24. Hello all :), It's my little piano composition. I' m self- taught musician so please, be understanding. :)
  25. https://musescore.com/user/20408661/scores/5815863 Trying to make sure this is as good as it can be before I attempt to get a live recording for college pre-screening (due dec. 1st), any info regarding my composition will be helpful. Midi percussion sounds bad but not much I can do about it. If there are any formatting errors please call me out, I need this to be as clean as possible. Also should I change the name to something more interesting? If so what are some suggestions that fit the aesthetic and sound of the piece. Thank you!
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